“Come along then,” said Evgenie; “it’s a glorious evening. But, to prove that this time I was speaking absolutely seriously, and especially to prove this to the prince (for you, prince, have interested me exceedingly, and I swear to you that I am not quite such an ass as I like to appear sometimes, although I am rather an ass, I admit), and--well, ladies and gentlemen, will you allow me to put just one more question to the prince, out of pure curiosity? It shall be the last. This question came into my mind a couple of hours since (you see, prince, I do think seriously at times), and I made my own decision upon it; now I wish to hear what the prince will say to it.”
“‘Tis he, ‘tis he!” he said at last, quietly, but with much solemnity. “As though he were alive once more. I heard the familiar name--the dear familiar name--and, oh! how it reminded me of the irrevocable past--Prince Muishkin, I believe?”
Colia took the prince to a public-house in the Litaynaya, not far off. In one of the side rooms there sat at a table--looking like one of the regular guests of the establishment--Ardalion Alexandrovitch, with a bottle before him, and a newspaper on his knee. He was waiting for the prince, and no sooner did the latter appear than he began a long harangue about something or other; but so far gone was he that the prince could hardly understand a word.

“We have done without him so far,” interrupted Adelaida in her turn. “Surely we can wait until to-morrow.”

“What did I want? Well, to begin with, it is good to meet a man like you. It is a pleasure to talk over my faults with you. I know you for one of the best of men... and then... then...”
Hippolyte walked towards the door, but the prince called him back and he stopped.
“Certainly not; what are you thinking of? What could have induced you to ask such a question?” she replied, quietly and seriously, and even, apparently, with some astonishment.

“Those are the two hundred and fifty roubles you dared to send him as a charity, by the hands of Tchebaroff,” explained Doktorenko.

He soon heard that a messenger from the Epanchins’ had already been to inquire after him. At half-past eleven another arrived; and this pleased him.

“There, prince,” said she, “there’s my album. Now choose a page and write me something, will you? There’s a pen, a new one; do you mind a steel one? I have heard that you caligraphists don’t like steel pens.”

“Most wonderfully so,” said the latter, warmly, gazing at Aglaya with admiration. “Almost as lovely as Nastasia Philipovna, but quite a different type.”

Suddenly he embraced Muishkin.
“Having now shown you that I am not quite such a fool as I look, and that I have to be fished for with a rod and line for a good long while before I am caught, I will proceed to explain why I specially wished to make your brother look a fool. That my motive power is hate, I do not attempt to conceal. I have felt that before dying (and I am dying, however much fatter I may appear to you), I must absolutely make a fool of, at least, one of that class of men which has dogged me all my life, which I hate so cordially, and which is so prominently represented by your much esteemed brother. I should not enjoy paradise nearly so much without having done this first. I hate you, Gavrila Ardalionovitch, solely (this may seem curious to you, but I repeat)--solely because you are the type, and incarnation, and head, and crown of the most impudent, the most self-satisfied, the most vulgar and detestable form of commonplaceness. You are ordinary of the ordinary; you have no chance of ever fathering the pettiest idea of your own. And yet you are as jealous and conceited as you can possibly be; you consider yourself a great genius; of this you are persuaded, although there are dark moments of doubt and rage, when even this fact seems uncertain. There are spots of darkness on your horizon, though they will disappear when you become completely stupid. But a long and chequered path lies before you, and of this I am glad. In the first place you will never gain a certain person.”
“I assure you this business left me no peace for many a long year. Why did I do it? I was not in love with her myself; I’m afraid it was simply mischief--pure ‘cussedness’ on my part.
“What do you say, sir?” growled the general, taking a step towards him.
A fortnight had passed since the events recorded in the last chapter, and the position of the actors in our story had become so changed that it is almost impossible for us to continue the tale without some few explanations. Yet we feel that we ought to limit ourselves to the simple record of facts, without much attempt at explanation, for a very patent reason: because we ourselves have the greatest possible difficulty in accounting for the facts to be recorded. Such a statement on our part may appear strange to the reader. How is anyone to tell a story which he cannot understand himself? In order to keep clear of a false position, we had perhaps better give an example of what we mean; and probably the intelligent reader will soon understand the difficulty. More especially are we inclined to take this course since the example will constitute a distinct march forward of our story, and will not hinder the progress of the events remaining to be recorded.

“What simplifies the duty before me considerably, in my opinion,” he began, “is that I am bound to recall and relate the very worst action of my life. In such circumstances there can, of course, be no doubt. One’s conscience very soon informs one what is the proper narrative to tell. I admit, that among the many silly and thoughtless actions of my life, the memory of one comes prominently forward and reminds me that it lay long like a stone on my heart. Some twenty years since, I paid a visit to Platon Ordintzeff at his country-house. He had just been elected marshal of the nobility, and had come there with his young wife for the winter holidays. Anfisa Alexeyevna’s birthday came off just then, too, and there were two balls arranged. At that time Dumas-fils’ beautiful work, _La Dame aux Camélias_--a novel which I consider imperishable--had just come into fashion. In the provinces all the ladies were in raptures over it, those who had read it, at least. Camellias were all the fashion. Everyone inquired for them, everybody wanted them; and a grand lot of camellias are to be got in a country town--as you all know--and two balls to provide for!

The prince certainly had darted a rather piercing look at her, and now observed that she had begun to blush violently. At such moments, the more Aglaya blushed, the angrier she grew with herself; and this was clearly expressed in her eyes, which flashed like fire. As a rule, she vented her wrath on her unfortunate companion, be it who it might. She was very conscious of her own shyness, and was not nearly so talkative as her sisters for this reason--in fact, at times she was much too quiet. When, therefore, she was bound to talk, especially at such delicate moments as this, she invariably did so with an air of haughty defiance. She always knew beforehand when she was going to blush, long before the blush came.
It is impossible to describe Aglaya’s irritation. She flared up, and said some indignant words about “all these silly insinuations.” She added that “she had no intentions as yet of replacing anybody’s mistress.”
“No, I’m not; I’m not a bit ashamed!” she murmured. “And how do you know my heart is innocent? And how dared you send me a love-letter that time?”
“You see,” said Hippolyte, coolly, “you can’t restrain yourself. You’ll be dreadfully sorry afterwards if you don’t speak out now. Come, you shall have the first say. I’ll wait.”

She had almost reached the door when she turned round again.

The prince rose from his seat in a condition of mental collapse. The good ladies reported afterwards that “his pallor was terrible to see, and his legs seemed to give way underneath him.” With difficulty he was made to understand that his new friends would be glad of his address, in order to act with him if possible. After a moment’s thought he gave the address of the small hotel, on the stairs of which he had had a fit some five weeks since. He then set off once more for Rogojin’s.
She turned round so suddenly that one might have supposed a needle had been stuck into her.
“Well, I was glad enough, for I had long felt the greatest sympathy for this man; and then the pretty uniform and all that--only a child, you know--and so on. It was a dark green dress coat with gold buttons--red facings, white trousers, and a white silk waistcoat--silk stockings, shoes with buckles, and top-boots if I were riding out with his majesty or with the suite.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

Rogojin listened to the end, and then burst out laughing: The door opened at this point, and in came Gania most unexpectedly.
“Lef Nicolaievitch was a ward of Nicolai Andreevitch Pavlicheff, after the death of his own parents,” he remarked, meeting Ivan Petrovitch’s eye.

“Well, have you finished?” said Lizabetha Prokofievna to Evgenie. “Make haste, sir; it is time he went to bed. Have you more to say?” She was very angry.

The prince took down the chain and opened the door. He started back in amazement--for there stood Nastasia Philipovna. He knew her at once from her photograph. Her eyes blazed with anger as she looked at him. She quickly pushed by him into the hall, shouldering him out of her way, and said, furiously, as she threw off her fur cloak:
The doctor stated that there was no danger to be apprehended from the wound on the head, and as soon as the prince could understand what was going on around him, Colia hired a carriage and took him away to Lebedeff’s. There he was received with much cordiality, and the departure to the country was hastened on his account. Three days later they were all at Pavlofsk.

“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”

Hippolyte told the prince this last story, sending for him on purpose. When Muishkin heard about the candle and Gania’s finger he had laughed so that he had quite astonished Hippolyte,--and then shuddered and burst into tears. The prince’s condition during those days was strange and perturbed. Hippolyte plainly declared that he thought he was out of his mind;--this, however, was hardly to be relied upon.
“Well,” murmured the prince, with his eyes still fixed on Lebedeff, “I can see now that he did.”
“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.” “And do you know,” the prince continued, “I am amazed at your naive ways, Lebedeff! Don’t be angry with me--not only yours, everybody else’s also! You are waiting to hear something from me at this very moment with such simplicity that I declare I feel quite ashamed of myself for having nothing whatever to tell you. I swear to you solemnly, that there is nothing to tell. There! Can you take that in?” The prince laughed again.
This was odd of Lizabetha Prokofievna and her daughters. They had themselves decided that it would be better if the prince did not talk all the evening. Yet seeing him sitting silent and alone, but perfectly happy, they had been on the point of exerting themselves to draw him into one of the groups of talkers around the room. Now that he was in the midst of a talk they became more than ever anxious and perturbed.

Half an hour after the Epanchins had gone, Hippolyte arrived, so tired that, almost unconscious, he sank into a chair, and broke into such a fit of coughing that he could not stop. He coughed till the blood came. His eyes glittered, and two red spots on his cheeks grew brighter and brighter. The prince murmured something to him, but Hippolyte only signed that he must be left alone for a while, and sat silent. At last he came to himself.

He could not settle himself to his papers again, for agitation and excitement, but began walking up and down the room from corner to corner.

“Certainly. Anything is possible when one is intoxicated, as you neatly express it, prince. But consider--if I, intoxicated or not, dropped an object out of my pocket on to the ground, that object ought to remain on the ground. Where is the object, then?”
“Oh, why shouldn’t they laugh?” said the prince. “I shouldn’t have let the chance go by in their place, I know. But I stick up for the donkey, all the same; he’s a patient, good-natured fellow.”