At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing.

The prince did not notice that others were talking and making themselves agreeable to Aglaya; in fact, at moments, he almost forgot that he was sitting by her himself. At other moments he felt a longing to go away somewhere and be alone with his thoughts, and to feel that no one knew where he was.

“But surely this is a joke, Nastasia Philipovna?” asked Totski. “You don’t really mean us to play this game.”
“Tell me about it,” said Aglaya.

“Oh, my dear fellow,” cried Evgenie, warmly, with real sorrow in his voice, “how could you permit all that to come about as it has? Of course, of course, I know it was all so unexpected. I admit that you, only naturally, lost your head, and--and could not stop the foolish girl; that was not in your power. I quite see so much; but you really should have understood how seriously she cared for you. She could not bear to share you with another; and you could bring yourself to throw away and shatter such a treasure! Oh, prince, prince!”

“And?”

“Well, it is troublesome, rather,” said the latter; “but I suppose it will ‘pay’ pretty well. We have only just begun, however--”
Gania was silent for a minute or two, as though thinking out some problem. Suddenly he cried:

“Yes, that is so... for the last fifteen years.”

“Well?” The prince gave a short narrative of what we have heard before, leaving out the greater part. The two ladies listened intently.

“One moment, my dear prince, just one. I must absolutely speak to you about something which is most grave,” said Lebedeff, mysteriously and solemnly, entering the room with a bow and looking extremely important. He had but just returned, and carried his hat in his hand. He looked preoccupied and most unusually dignified.

Her dress was modest and simple to a degree, dark and elderly in style; but both her face and appearance gave evidence that she had seen better days. “Yes, she is pretty,” she said at last, “even very pretty. I have seen her twice, but only at a distance. So you admire this kind of beauty, do you?” she asked the prince, suddenly.
“Oh!” cried the general, catching sight of the prince’s specimen of caligraphy, which the latter had now handed him for inspection. “Why, this is simply beautiful; look at that, Gania, there’s real talent there!”
“Of course, mamma!” said Alexandra. “But let’s have lunch now, we are all hungry!”
“Once more let us beg you to be calm, my dear boy. We’ll talk of all this another time--I shall do so with the greatest pleasure, for one,” said the old dignitary, with a smile. “Well, really, you know”--(silence)--“of course, you know all this is very strange, if true, which I cannot deny; but”--(silence).--“But, on the other hand, if one looks things in the face, you know--upon my honour, the prince is a rare good fellow--and--and--and--well, his name, you know--your family name--all this looks well, and perpetuates the name and title and all that--which at this moment is not standing so high as it might--from one point of view--don’t you know? The world, the world is the world, of course--and people will talk--and--and--the prince has property, you know--if it is not very large--and then he--he--” (Continued silence, and collapse of the general.) “Yes, of course,” said Ferdishenko. “C’est du nouveau.”
This new woman gave him further to understand that though it was absolutely the same to her whom he married, yet she had decided to prevent this marriage--for no particular reason, but that she _chose_ to do so, and because she wished to amuse herself at his expense for that it was “quite her turn to laugh a little now!”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Tell me, how do you intend to live now, and what are your plans?” interrupted the general.
“Why, it would be a game to cry over--not to laugh at!” said the actress.
“But, my goodness me,” laughed Ivan Petrovitch, “why can’t I be cousin to even a splendid man?”
“You are always preaching about resting; you are a regular nurse to me, prince. As soon as the sun begins to ‘resound’ in the sky--what poet said that? ‘The sun resounded in the sky.’ It is beautiful, though there’s no sense in it!--then we will go to bed. Lebedeff, tell me, is the sun the source of life? What does the source, or ‘spring,’ of life really mean in the Apocalypse? You have heard of the ‘Star that is called Wormwood,’ prince?”
“Of course, of course, quite so; that’s what I am driving at!” continued Evgenie, excitedly. “It is as clear as possible, and most comprehensible, that you, in your enthusiasm, should plunge headlong into the first chance that came of publicly airing your great idea that you, a prince, and a pure-living man, did not consider a woman disgraced if the sin were not her own, but that of a disgusting social libertine! Oh, heavens! it’s comprehensible enough, my dear prince, but that is not the question, unfortunately! The question is, was there any reality and truth in your feelings? Was it nature, or nothing but intellectual enthusiasm? What do you think yourself? We are told, of course, that a far worse woman was _forgiven_, but we don’t find that she was told that she had done well, or that she was worthy of honour and respect! Did not your common-sense show you what was the real state of the case, a few months later? The question is now, not whether she is an innocent woman (I do not insist one way or the other--I do not wish to); but can her whole career justify such intolerable pride, such insolent, rapacious egotism as she has shown? Forgive me, I am too violent, perhaps, but--”
The announcement of his name gave rise to some surprise and to some smiles, especially when it became evident, from Nastasia’s astonished look, that she had not thought of inviting him. But her astonishment once over, Nastasia showed such satisfaction that all prepared to greet the prince with cordial smiles of welcome.
“What, you here too, prince?” said Rogojin, absently, but a little surprised all the same “Still in your gaiters, eh?” He sighed, and forgot the prince next moment, and his wild eyes wandered over to Nastasia again, as though attracted in that direction by some magnetic force.
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”
“Yes, I brought him down from town just after you had left the house.”
“Ardalion,” said Nina Alexandrovitch, entreatingly.
Suddenly, a quarter of an hour after the prince’s departure, Aglaya had rushed out of her room in such a hurry that she had not even wiped her eyes, which were full of tears. She came back because Colia had brought a hedgehog. Everybody came in to see the hedgehog. In answer to their questions Colia explained that the hedgehog was not his, and that he had left another boy, Kostia Lebedeff, waiting for him outside. Kostia was too shy to come in, because he was carrying a hatchet; they had bought the hedgehog and the hatchet from a peasant whom they had met on the road. He had offered to sell them the hedgehog, and they had paid fifty copecks for it; and the hatchet had so taken their fancy that they had made up their minds to buy it of their own accord. On hearing this, Aglaya urged Colia to sell her the hedgehog; she even called him “dear Colia,” in trying to coax him. He refused for a long time, but at last he could hold out no more, and went to fetch Kostia Lebedeff. The latter appeared, carrying his hatchet, and covered with confusion. Then it came out that the hedgehog was not theirs, but the property of a schoolmate, one Petroff, who had given them some money to buy Schlosser’s History for him, from another schoolfellow who at that moment was driven to raising money by the sale of his books. Colia and Kostia were about to make this purchase for their friend when chance brought the hedgehog to their notice, and they had succumbed to the temptation of buying it. They were now taking Petroff the hedgehog and hatchet which they had bought with his money, instead of Schlosser’s History. But Aglaya so entreated them that at last they consented to sell her the hedgehog. As soon as she had got possession of it, she put it in a wicker basket with Colia’s help, and covered it with a napkin. Then she said to Colia: “Go and take this hedgehog to the prince from me, and ask him to accept it as a token of my profound respect.” Colia joyfully promised to do the errand, but he demanded explanations. “What does the hedgehog mean? What is the meaning of such a present?” Aglaya replied that it was none of his business. “I am sure that there is some allegory about it,” Colia persisted. Aglaya grew angry, and called him “a silly boy.” “If I did not respect all women in your person,” replied Colia, “and if my own principles would permit it, I would soon prove to you, that I know how to answer such an insult!” But, in the end, Colia went off with the hedgehog in great delight, followed by Kostia Lebedeff. Aglaya’s annoyance was soon over, and seeing that Colia was swinging the hedgehog’s basket violently to and fro, she called out to him from the verandah, as if they had never quarrelled: “Colia, dear, please take care not to drop him!” Colia appeared to have no grudge against her, either, for he stopped, and answered most cordially: “No, I will not drop him! Don’t be afraid, Aglaya Ivanovna!” After which he went on his way. Aglaya burst out laughing and ran up to her room, highly delighted. Her good spirits lasted the whole day.
“Nastasia Philipovna!” cried Totski, in a quaking voice.
“My dear Lebedeff, I--”
The words were hardly out of her mouth, when Lebedeff dragged Vera forward, in order to present her.
“Oh! Aglaya Ivanovna did,” said Colia.
“Yes, indeed I had--a good deal; and, would you believe it, I often wonder at myself for not having forgotten how to speak Russian? Even now, as I talk to you, I keep saying to myself ‘how well I am speaking it.’ Perhaps that is partly why I am so talkative this morning. I assure you, ever since yesterday evening I have had the strongest desire to go on and on talking Russian.”
Lebedeff made a strange and very expressive grimace; he twisted about in his chair, and did something, apparently symbolical, with his hands.
Gania seized his head with both hands and tottered to the window; Varia sat down at the other window.
The prince who, up to yesterday, would not have believed that he could even dream of such an impossible scene as this, stood and listened and looked on, and felt as though he had long foreseen it all. The most fantastic dream seemed suddenly to have been metamorphosed into the most vivid reality.
“I hear you have called twice; I suppose you are still worried about yesterday’s affair.”
“Perhaps she wants to laugh at me,” thought the prince, “but no; for if she did she certainly would do so.”
“‘I do not wish to deprive your mother of you, and, therefore, I will not ask you to go with me,’ he said, the morning of his departure, ‘but I should like to do something for you.’ He was mounting his horse as he spoke. ‘Write something in my sister’s album for me,’ I said rather timidly, for he was in a state of great dejection at the moment. He turned, called for a pen, took the album. ‘How old is your sister?’ he asked, holding the pen in his hand. ‘Three years old,’ I said. ‘Ah, _petite fille alors!_’ and he wrote in the album:
“What?”
“Very well--afterwards. You are always interrupting me. What woman was it you were dreaming about?”
He jumped up and walked off as fast as he could towards the “Petersburg Side.” [One of the quarters of St. Petersburg.] He had asked someone, a little while before, to show him which was the Petersburg Side, on the banks of the Neva. He had not gone there, however; and he knew very well that it was of no use to go now, for he would certainly not find Lebedeff’s relation at home. He had the address, but she must certainly have gone to Pavlofsk, or Colia would have let him know. If he were to go now, it would merely be out of curiosity, but a sudden, new idea had come into his head.
X.
“And I’ve heard one!” said Adelaida. All three of the girls laughed out loud, and the prince laughed with them.
“How so? Do you want to make out that you love them _both?_”
“May I ask why? and also why you walk about on tiptoe and always seem as if you were going to whisper a secret in my ear whenever you come near me?”
She became so excited and agitated during all these explanations and confessions that General Epanchin was highly gratified, and considered the matter satisfactorily arranged once for all. But the once bitten Totski was twice shy, and looked for hidden snakes among the flowers. However, the special point to which the two friends particularly trusted to bring about their object (namely, Gania’s attractiveness for Nastasia Philipovna), stood out more and more prominently; the pourparlers had commenced, and gradually even Totski began to believe in the possibility of success. “That will do. I can find out for myself. Only tell me, where is she now? At his house? With him?”

Lebedeff made a strange and very expressive grimace; he twisted about in his chair, and did something, apparently symbolical, with his hands.

Then seeing that Radomski was laughing, he began to laugh himself, nudged Colia, who was sitting beside him, with his elbow, and again asked what time it was. He even pulled Colia’s silver watch out of his hand, and looked at it eagerly. Then, as if he had forgotten everything, he stretched himself out on the sofa, put his hands behind his head, and looked up at the sky. After a minute or two he got up and came back to the table to listen to Lebedeff’s outpourings, as the latter passionately commentated on Evgenie Pavlovitch’s paradox.
“What! I tell stories, do I? It is true! I gave him my promise a couple of days ago on this very seat.”
“Just a couple of words, prince, if you’ll excuse me. Don’t blab over _there_ about what you may see here, or in this house as to all that about Aglaya and me, you know. Things are not altogether pleasant in this establishment--devil take it all! You’ll see. At all events keep your tongue to yourself for _today_.”
“Why, I’ve not only heard of it; I see it for myself,” he said. “When have you ever spoken like that before? It wasn’t like yourself, prince. Why, if I hadn’t heard this report about you, I should never have come all this way into the park--at midnight, too!”
“It grieves me to see you so, Hippolyte. Why didn’t you send me a message? I would have come up and saved you this trouble.”
“Well, then--they were all children there, and I was always among children and only with children. They were the children of the village in which I lived, and they went to the school there--all of them. I did not teach them, oh no; there was a master for that, one Jules Thibaut. I may have taught them some things, but I was among them just as an outsider, and I passed all four years of my life there among them. I wished for nothing better; I used to tell them everything and hid nothing from them. Their fathers and relations were very angry with me, because the children could do nothing without me at last, and used to throng after me at all times. The schoolmaster was my greatest enemy in the end! I had many enemies, and all because of the children. Even Schneider reproached me. What were they afraid of? One can tell a child everything, anything. I have often been struck by the fact that parents know their children so little. They should not conceal so much from them. How well even little children understand that their parents conceal things from them, because they consider them too young to understand! Children are capable of giving advice in the most important matters. How can one deceive these dear little birds, when they look at one so sweetly and confidingly? I call them birds because there is nothing in the world better than birds!