“The very time when he was cringing before you and making protestations of devotion! Oh, the mean wretches! I will have nothing to do with your Pushkin, and your daughter shall not set foot in my house!”
“A crowd of people had collected to see how she would cry. The parson, a young fellow ambitious of becoming a great preacher, began his sermon and pointed to Marie. ‘There,’ he said, ‘there is the cause of the death of this venerable woman’--(which was a lie, because she had been ill for at least two years)--‘there she stands before you, and dares not lift her eyes from the ground, because she knows that the finger of God is upon her. Look at her tatters and rags--the badge of those who lose their virtue. Who is she? her daughter!’ and so on to the end.
“You told her it was a shame for her to behave so, and her manner changed at once; she was like another person. You have some influence over her, prince,” added Varia, smiling a little.
“Wait a minute, prince,” shouted the latter, as he went. “I shall be back in five minutes.”

“Get away!” he shouted frantically, observing that Daria Alexeyevna was approaching to protest against Nastasia’s conduct. “Get away, she’s mine, everything’s mine! She’s a queen, get away!”

Madame Filisoff was a little woman of forty, with a cunning face, and crafty, piercing eyes. When, with an air of mystery, she asked her visitor’s name, he refused at first to answer, but in a moment he changed his mind, and left strict instructions that it should be given to Nastasia Philipovna. The urgency of his request seemed to impress Madame Filisoff, and she put on a knowing expression, as if to say, “You need not be afraid, I quite understand.” The prince’s name evidently was a great surprise to her. He stood and looked absently at her for a moment, then turned, and took the road back to his hotel. But he went away not as he came. A great change had suddenly come over him. He went blindly forward; his knees shook under him; he was tormented by “ideas”; his lips were blue, and trembled with a feeble, meaningless smile. His demon was upon him once more.

“Don’t be afraid,” he muttered, indistinctly, “though I have taken your cross, I shall not murder you for your watch.” So saying, he laughed suddenly, and strangely. Then in a moment his face became transfigured; he grew deadly white, his lips trembled, his eyes burned like fire. He stretched out his arms and held the prince tightly to him, and said in a strangled voice:

Burdovsky alone sat silent and motionless.
She seemed to wish to show him something, not far off, in the park.
This apparition was too much for Gania. Vain and ambitious almost to morbidness, he had had much to put up with in the last two months, and was seeking feverishly for some means of enabling himself to lead a more presentable kind of existence. At home, he now adopted an attitude of absolute cynicism, but he could not keep this up before Nastasia Philipovna, although he had sworn to make her pay after marriage for all he suffered now. He was experiencing a last humiliation, the bitterest of all, at this moment--the humiliation of blushing for his own kindred in his own house. A question flashed through his mind as to whether the game was really worth the candle.
“If you were there yourself you must have known that I was _not_ there!”
The shrill tones of Hippolyte interrupted him. “What right have you... by what right do you demand us to submit this matter, about Burdovsky... to the judgment of your friends? We know only too well what the judgment of your friends will be!...”

“Too much talk,” said Rogojin, breaking the silence for the first time.

Hippolyte clutched his manuscript, and gazing at the last speaker with glittering eyes, said: “You don’t like me at all!” A few laughed at this, but not all.
Gania might justly complain of the hardness with which fate treated him. Varia dared not speak to him for a long while, as he strode past her, backwards and forwards. At last he went and stood at the window, looking out, with his back turned towards her. There was a fearful row going on upstairs again.

“What nonsense you are all talking! What do you mean by poor knight?”

“I will come with the greatest pleasure, and thank you very much for taking a fancy to me. I dare say I may even come today if I have time, for I tell you frankly that I like you very much too. I liked you especially when you told us about the diamond earrings; but I liked you before that as well, though you have such a dark-clouded sort of face. Thanks very much for the offer of clothes and a fur coat; I certainly shall require both clothes and coat very soon. As for money, I have hardly a copeck about me at this moment.”
“Nastasia Philipovna,” murmured the prince.
“You are very like Lizabetha Prokofievna.”
“Oh yes, I know a good deal.”
“In connection with ‘the ten,’ eh?” laughed Evgenie, as he left the room.
“That they do _not_ know about it in the house is quite certain, the rest of them, I mean; but you have given me an idea. Aglaya perhaps knows. She alone, though, if anyone; for the sisters were as astonished as I was to hear her speak so seriously. If she knows, the prince must have told her.”

“My dear young friend, you have hit on my very idea. It was not for this rubbish I asked you to come over here” (he pocketed the money, however, at this point), “it was to invite your alliance in the campaign against Nastasia Philipovna tonight. How well it sounds, ‘General Ivolgin and Prince Muishkin.’ That’ll fetch her, I think, eh? Capital! We’ll go at nine; there’s time yet.”

He was sure of it, and his heart beat excitedly at the thought, he knew not why.
“How pale you have grown!” cried Aglaya in alarm.
The prince could not doubt the sincerity of his agitation. He understood, too, that the old man had left the room intoxicated with his own success. The general belonged to that class of liars, who, in spite of their transports of lying, invariably suspect that they are not believed. On this occasion, when he recovered from his exaltation, he would probably suspect Muishkin of pitying him, and feel insulted.
“I don’t understand why people in my position do not oftener indulge in such ideas--if only for a joke! Perhaps they do! Who knows! There are plenty of merry souls among us!
So saying she gazed into his eyes, longing to see whether she could make any guess as to the explanation of his motive in coming to her house. The prince would very likely have made some reply to her kind words, but he was so dazzled by her appearance that he could not speak.
To his consternation the good people at the lodgings had not only heard nothing of Nastasia, but all came out to look at him as if he were a marvel of some sort. The whole family, of all ages, surrounded him, and he was begged to enter. He guessed at once that they knew perfectly well who he was, and that yesterday ought to have been his wedding-day; and further that they were dying to ask about the wedding, and especially about why he should be here now, inquiring for the woman who in all reasonable human probability might have been expected to be with him in Pavlofsk.
“I am to blame in this, Gania--no one else,” said Ptitsin.
“And Hippolyte has come down here to stay,” said Colia, suddenly.
“I cannot marry at all,” said the latter. “I am an invalid.”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“I’m all right,” said Varia, in a tone that sounded as though she were all wrong.
“Are you trying to frighten me? I am not Tania, you know, and I don’t intend to run away. Look, you are waking Lubotchka, and she will have convulsions again. Why do you shout like that?”
“Ah!” cried Hippolyte, turning towards Evgenie Pavlovitch, and looking at him with a queer sort of curiosity. Gavrila Ardalionovitch listened attentively, and gazed at the prince with great curiosity. At last he motioned the man aside and stepped hurriedly towards the prince.
“At all events, the fact remained--a month of life and no more! That he is right in his estimation I am absolutely persuaded.
“And how do you know that I am ‘so happy’?”
“An old peasant woman opened the door; she was busy lighting the ‘samovar’ in a tiny kitchen. She listened silently to my questions, did not understand a word, of course, and opened another door leading into a little bit of a room, low and scarcely furnished at all, but with a large, wide bed in it, hung with curtains. On this bed lay one Terentich, as the woman called him, drunk, it appeared to me. On the table was an end of candle in an iron candlestick, and a half-bottle of vodka, nearly finished. Terentich muttered something to me, and signed towards the next room. The old woman had disappeared, so there was nothing for me to do but to open the door indicated. I did so, and entered the next room.
“When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, ‘_Je vous aime, Marie!_’ and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed!

“Nastasia Philipovna, dear soul!” cried the actress, impatiently, “do be calm, dear! If it annoys you so--all this--do go away and rest! Of course you would never go with this wretched fellow, in spite of his hundred thousand roubles! Take his money and kick him out of the house; that’s the way to treat him and the likes of him! Upon my word, if it were my business, I’d soon clear them all out!”

“I rather think I pitched into you, too, didn’t I? Forgive me--do! Who is he, did you say? What prince? Muishkin?” she added, addressing Gania.

“I suppose you’ll say there is nothing national about our literature either?” said Alexandra.

“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”
“No, it is impossible for me to come to your house again,” he added slowly.
“Here’s your miserable hat. He couldn’t even choose a respectable shape for his hat! Come on! She did that because I took your part and said you ought to have come--little vixen!--else she would never have sent you that silly note. It’s a most improper note, I call it; most improper for such an intelligent, well-brought-up girl to write. H’m! I dare say she was annoyed that you didn’t come; but she ought to have known that one can’t write like that to an idiot like you, for you’d be sure to take it literally.” Mrs. Epanchin was dragging the prince along with her all the time, and never let go of his hand for an instant. “What are you listening for?” she added, seeing that she had committed herself a little. “She wants a clown like you--she hasn’t seen one for some time--to play with. That’s why she is anxious for you to come to the house. And right glad I am that she’ll make a thorough good fool of you. You deserve it; and she can do it--oh! she can, indeed!--as well as most people.”
At this there was a dreadful noise; Lebedeff danced about in his excitement; Ferdishenko prepared to go for the police; Gania frantically insisted that it was all nonsense, “for nobody was going to shoot themselves.” Evgenie Pavlovitch said nothing.
Nastasia Philipovna, observing his woe-begone expression, suddenly burst out laughing.
Ivan Petrovitch began to stare at him with some surprise; the dignitary, too, looked at him with considerable attention; Princess Bielokonski glared at him angrily, and compressed her lips. Prince N., Evgenie, Prince S., and the girls, all broke off their own conversations and listened. Aglaya seemed a little startled; as for Lizabetha Prokofievna, her heart sank within her.

So saying, and in a state of violent agitation, Varia left the room.