“Yes, but what am I to do, Lebedeff? What steps am I to take? I am ready.”
Nastasia Philipovna seized the packet of bank-notes.
“Well, it was clear enough all along,” he said, after a moment’s reflection. “So that’s the end,” he added, with a disagreeable smile, continuing to walk up and down the room, but much slower than before, and glancing slyly into his sister’s face.

Vera came in three minutes after the Epanchins had left. “Lef Nicolaievitch,” she said, “Aglaya Ivanovna has just given me a message for you.”

Was there something in the whole aspect of the man, today, sufficient to justify the prince’s terror, and the awful suspicions of his demon? Something seen, but indescribable, which filled him with dreadful presentiments? Yes, he was convinced of it--convinced of what? (Oh, how mean and hideous of him to feel this conviction, this presentiment! How he blamed himself for it!) “Speak if you dare, and tell me, what is the presentiment?” he repeated to himself, over and over again. “Put it into words, speak out clearly and distinctly. Oh, miserable coward that I am!” The prince flushed with shame for his own baseness. “How shall I ever look this man in the face again? My God, what a day! And what a nightmare, what a nightmare!”
“Then it was not simply a matter of bills?” Muishkin said at last, with some impatience. “It was not as she said?”
“Don’t give it to him if he does. Fancy, he was a decent, respectable man once! He was received in the best society; he was not always the liar he is now. Of course, wine is at the bottom of it all; but he is a good deal worse than an innocent liar now. Do you know that he keeps a mistress? I can’t understand how mother is so long-suffering. Did he tell you the story of the siege of Kars? Or perhaps the one about his grey horse that talked? He loves to enlarge on these absurd histories.” And Gania burst into a fit of laughter. Suddenly he turned to the prince and asked: “Why are you looking at me like that?”
Hippolyte looked around at the laughing guests. The prince observed that his teeth were chattering as though in a violent attack of ague.
The prince begged him to take a chair.

“There he is!” she shrieked again, pointing to the prince and addressing Aglaya. “There he is! and if he does not approach me at once and take _me_ and throw you over, then have him for your own--I give him up to you! I don’t want him!”

“I shall laugh--I know I shall; I shall die of laughing,” she said, lugubriously.
She fell back into a chair, and burst into tears. But suddenly some new expression blazed in her eyes. She stared fixedly at Aglaya, and rose from her seat.
“Yes--yes, quite so; you are quite right. I wished to see Aglaya Ivanovna, you know!” said the prince, nodding his head.
“Of course, naturally. The bridegroom is an impossible and ridiculous one. I mean, has _she_ given her formal consent?”

Keller suddenly left his seat, and approached Lizabetha Prokofievna.

“Can you shoot at all?”
“I give you my word that he shall come and see you--but he--he needs rest just now.”
“But, my goodness me,” laughed Ivan Petrovitch, “why can’t I be cousin to even a splendid man?”
The prince watched the whole scene, silent and dejected.

“It appeared to me, at the first glance, that both the man and the woman were respectable people, but brought to that pitch of poverty where untidiness seems to get the better of every effort to cope with it, till at last they take a sort of bitter satisfaction in it. When I entered the room, the man, who had entered but a moment before me, and was still unpacking his parcels, was saying something to his wife in an excited manner. The news was apparently bad, as usual, for the woman began whimpering. The man’s face seemed to me to be refined and even pleasant. He was dark-complexioned, and about twenty-eight years of age; he wore black whiskers, and his lip and chin were shaved. He looked morose, but with a sort of pride of expression. A curious scene followed.

“Once you did me the honour of giving me your confidence. Perhaps you have quite forgotten me now! How is it that I am writing to you? I do not know; but I am conscious of an irresistible desire to remind you of my existence, especially you. How many times I have needed all three of you; but only you have dwelt always in my mind’s eye. I need you--I need you very much. I will not write about myself. I have nothing to tell you. But I long for you to be happy. _Are_ you happy? That is all I wished to say to you--Your brother,
Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself.
“Most wonderfully so,” said the latter, warmly, gazing at Aglaya with admiration. “Almost as lovely as Nastasia Philipovna, but quite a different type.”
“Absolutely, your excellency,” said Lebedeff, without the least hesitation.
But there was another question, which terrified him considerably, and that was: what was he going to do when he _did_ get in? And to this question he could fashion no satisfactory reply.
“Yet I remember all he talked about, and every word we said, though whenever my eyes closed for a moment I could picture nothing but the image of Surikoff just in the act of finding a million roubles. He could not make up his mind what to do with the money, and tore his hair over it. He trembled with fear that somebody would rob him, and at last he decided to bury it in the ground. I persuaded him that, instead of putting it all away uselessly underground, he had better melt it down and make a golden coffin out of it for his starved child, and then dig up the little one and put her into the golden coffin. Surikoff accepted this suggestion, I thought, with tears of gratitude, and immediately commenced to carry out my design.
“What in the world for?”
“Oh, my dear prince,” cried the general, who was now so intoxicated with his own narrative that he probably could not have pulled up at the most patent indiscretion. “You say, ‘if it really was so!’ There was more--_much_ more, I assure you! These are merely a few little political acts. I tell you I was the eye-witness of the nightly sorrow and groanings of the great man, and of _that_ no one can speak but myself. Towards the end he wept no more, though he continued to emit an occasional groan; but his face grew more overcast day by day, as though Eternity were wrapping its gloomy mantle about him. Occasionally we passed whole hours of silence together at night, Roustan snoring in the next room--that fellow slept like a pig. ‘But he’s loyal to me and my dynasty,’ said Napoleon of him.

“No doubt... and I... is that acting like a prince? And you... you may be a general! But I... I am not your valet! And I... I...” stammered Antip Burdovsky.

“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
Left alone, he lay down on the sofa, and began to think.
The prince only laughed. Aglaya stamped her foot with annoyance.
“Yes, it is really much too late to send to town now,” said Evgenie Pavlovitch, who had escaped from Aglaya as rapidly as possible. “I am sure the shops are shut in Petersburg; it is past eight o’clock,” he added, looking at his watch.

“Afraid of _you?_” asked Aglaya, beside herself with naive amazement that the other should dare talk to her like this.

Totski immediately made some amiable remark. All seemed to brighten up at once, and the conversation became general. Nastasia made the prince sit down next to herself.
Of course every one of them followed her.
“Very,” said his neighbour, readily, “and this is a thaw, too. Fancy if it had been a hard frost! I never thought it would be so cold in the old country. I’ve grown quite out of the way of it.”