“I believe that’s the best thing you can do. You said you’d ‘plead sick-list’ just now; where in the world do you get hold of such expressions? Why do you talk to me like this? Are you trying to irritate me, or what?”
“You seem to take me for a child, Lebedeff. Tell me, is it a fact that she left him while they were in Moscow?”
“What Osterman?” asked the prince in some surprise.
“What’s the good of tormenting him like this?” cried the prince.
“Accept, Antip,” whispered the boxer eagerly, leaning past the back of Hippolyte’s chair to give his friend this piece of advice. “Take it for the present; we can see about more later on.”
“Yes, unless she has gone to Pavlofsk: the fine weather may have tempted her, perhaps, into the country, with Daria Alexeyevna. ‘I am quite free,’ she says. Only yesterday she boasted of her freedom to Nicolai Ardalionovitch--a bad sign,” added Lebedeff, smiling.
A silly, meaningless smile played on his white, death-like lips. He could not take his eyes off the smouldering packet; but it appeared that something new had come to birth in his soul--as though he were vowing to himself that he would bear this trial. He did not move from his place. In a few seconds it became evident to all that he did not intend to rescue the money.
| As he went out of the prince’s room, he collided with yet another visitor coming in. Ferdishenko took the opportunity of making several warning gestures to the prince from behind the new arrival’s back, and left the room in conscious pride. |
“Accidental case!” said Evgenie Pavlovitch. “Do you consider it an accidental case, prince?”
“Ha, ha! it’s Eroshka now,” laughed Hippolyte.
“Oh, don’t you begin bantering him,” said mamma. “He is probably a good deal cleverer than all three of you girls put together. We shall see. Only you haven’t told us anything about Aglaya yet, prince; and Aglaya and I are both waiting to hear.”
“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”
| “I see the ‘poor knight’ has come on the scene again,” said Evgenie Pavlovitch, stepping to Aglaya’s side. |
“You know yourself it does not depend on me.”
“No--I don’t think I should run away,” replied the prince, laughing outright at last at Aglaya’s questions.
The prince paused and all waited, expecting him to go on again and finish the story.
“He’s a little screw,” cried the general; “he drills holes in my heart and soul. He wishes me to be a pervert to atheism. Know, you young greenhorn, that I was covered with honours before ever you were born; and you are nothing better than a wretched little worm, torn in two with coughing, and dying slowly of your own malice and unbelief. What did Gavrila bring you over here for? They’re all against me, even to my own son--all against me.”
Nastasia’s arrival was a most unexpected and overwhelming event to all parties. In the first place, she had never been before. Up to now she had been so haughty that she had never even asked Gania to introduce her to his parents. Of late she had not so much as mentioned them. Gania was partly glad of this; but still he had put it to her debit in the account to be settled after marriage.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| “No, they cut off people’s heads in France.” |
| “She writes to _her_--and the girl reads the letters. Haven’t you heard?--You are sure to hear; she’s sure to show you the letters herself.” |
“You are crying, aren’t you?”
“Neither during my illness nor at any previous time had I ever seen an apparition;--but I had always thought, both when I was a little boy, and even now, that if I were to see one I should die on the spot--though I don’t believe in ghosts. And yet _now_, when the idea struck me that this was a ghost and not Rogojin at all, I was not in the least alarmed. Nay--the thought actually irritated me. Strangely enough, the decision of the question as to whether this were a ghost or Rogojin did not, for some reason or other, interest me nearly so much as it ought to have done;--I think I began to muse about something altogether different. For instance, I began to wonder why Rogojin, who had been in dressing-gown and slippers when I saw him at home, had now put on a dress-coat and white waistcoat and tie? I also thought to myself, I remember--‘if this is a ghost, and I am not afraid of it, why don’t I approach it and verify my suspicions? Perhaps I am afraid--’ And no sooner did this last idea enter my head than an icy blast blew over me; I felt a chill down my backbone and my knees shook.
Little by little, the rumours spread about town became lost in a maze of uncertainty. It was said that some foolish young prince, name unknown, had suddenly come into possession of a gigantic fortune, and had married a French ballet dancer. This was contradicted, and the rumour circulated that it was a young merchant who had come into the enormous fortune and married the great ballet dancer, and that at the wedding the drunken young fool had burned seventy thousand roubles at a candle out of pure bravado.
| “Gentlemen, if any one of you casts any doubt again, before me, upon Hippolyte’s good faith, or hints that the cap was forgotten intentionally, or suggests that this unhappy boy was acting a part before us, I beg to announce that the person so speaking shall account to me for his words.” |
| “But I didn’t sleep a wink all night. I walked and walked about, and went to where the music was--” |
Rogojin seized her in his arms and almost carried her to the carriage. Then, in a flash, he tore a hundred-rouble note out of his pocket and held it to the coachman.
| “Perhaps I do; but tell me yourself,” said Nastasia Philipovna, quietly. |
“You know,” Adelaida continued, “you owe us a description of the Basle picture; but first I wish to hear how you fell in love. Don’t deny the fact, for you did, of course. Besides, you stop philosophizing when you are telling about anything.”
“Out with it then, damn it! Out with it at once!” and Gania stamped his foot twice on the pavement.
| The whole of Rogojin’s being was concentrated in one rapturous gaze of ecstasy. He could not take his eyes off Nastasia. He stood drinking her in, as it were. He was in the seventh heaven of delight. |
| This beginning gave promise of a stormy discussion. The prince was much discouraged, but at last he managed to make himself heard amid the vociferations of his excited visitors. |
“Not for the world; he shall do just as he likes.”
| We said at the beginning of our story, that the Epanchins were liked and esteemed by their neighbours. In spite of his humble origin, Ivan Fedorovitch himself was received everywhere with respect. He deserved this, partly on account of his wealth and position, partly because, though limited, he was really a very good fellow. But a certain limitation of mind seems to be an indispensable asset, if not to all public personages, at least to all serious financiers. Added to this, his manner was modest and unassuming; he knew when to be silent, yet never allowed himself to be trampled upon. Also--and this was more important than all--he had the advantage of being under exalted patronage. |
“‘Child,’ he addressed me suddenly, ‘what do you think of our plan?’ Of course he only applied to me as a sort of toss-up, you know. I turned to Davoust and addressed my reply to him. I said, as though inspired:
“There! that is what I feared!” cried the prince. “It was inevitable!”
| Of course nobody knew what Rogojin meant by this; but his words made a deep impression upon all. Everyone seemed to see in a flash the same idea. |
“Allow me, Mr. Ivolgin,” he said irritably. “What is the good of all this rigmarole? Pardon me. All is now clear, and we acknowledge the truth of your main point. Why go into these tedious details? You wish perhaps to boast of the cleverness of your investigation, to cry up your talents as detective? Or perhaps your intention is to excuse Burdovsky, by proving that he took up the matter in ignorance? Well, I consider that extremely impudent on your part! You ought to know that Burdovsky has no need of being excused or justified by you or anyone else! It is an insult! The affair is quite painful enough for him without that. Will nothing make you understand?”
| “It was--about--you saw her--” |
I cannot say, either, whether she showed the letter to her sisters.
“It would be very pleasant,” returned the prince. “But we must see. I am really rather worried just now. What! are we there already? Is that the house? What a long flight of steps! And there’s a porter! Well, Colia I don’t know what will come of it all.”
“Well, how much longer is this going to last, Ivan Fedorovitch? What do you think? Shall I soon be delivered from these odious youths?”
“Yes, I played with her,” said Rogojin, after a short silence.
“Last week? In the night? Have you gone cracked, my good friend?”
She rose at their entrance, but did not smile or give her hand, even to the prince. Her anxious eyes were fixed upon Aglaya. Both sat down, at a little distance from one another--Aglaya on the sofa, in the corner of the room, Nastasia by the window. The prince and Rogojin remained standing, and were not invited to sit.
“Yes, he is a rogue, but I was obliged to pay him,” said the young man. “As to his being a rogue, he is assuredly that, and I am not saying it because he beat you. He is an ex-lieutenant, prince, dismissed from the service, a teacher of boxing, and one of Rogojin’s followers. They are all lounging about the pavements now that Rogojin has turned them off. Of course, the worst of it is that, knowing he was a rascal, and a card-sharper, I none the less played palki with him, and risked my last rouble. To tell the truth, I thought to myself, ‘If I lose, I will go to my uncle, and I am sure he will not refuse to help me.’ Now that was base--cowardly and base!”
Rogojin stared intently at them; then he took his hat, and without a word, left the room.
| “No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.” |
| “I gave him all the information he needed, and he very soon took his departure; so that, since he only came for the purpose of gaining the information, the matter might have been expected to end there. |
The laughter became general, and the young officer, who seemed a particularly lively sort of person, simply shook with mirth.
“Run away from home?” cried the prince.
“You don’t know what anger is!” laughed Rogojin, in reply to the prince’s heated words.
“Ho, ho! you are not nearly so simple as they try to make you out! This is not the time for it, or I would tell you a thing or two about that beauty, Gania, and his hopes. You are being undermined, pitilessly undermined, and--and it is really melancholy to see you so calm about it. But alas! it’s your nature--you can’t help it!”
“Hallo, Gania, you blackguard! You didn’t expect Rogojin, eh?” said the latter, entering the drawing-room, and stopping before Gania.
“It’s all right, Katia, let them all in at once.”
“What do you mean by ‘arrangements’?”
“Send Feodor or Alexey up by the very first train to buy a copy, then.--Aglaya, come here--kiss me, dear, you recited beautifully! but,” she added in a whisper, “if you were sincere I am sorry for you. If it was a joke, I do not approve of the feelings which prompted you to do it, and in any case you would have done far better not to recite it at all. Do you understand?--Now come along, young woman; we’ve sat here too long. I’ll speak to you about this another time.”
“The son is not responsible for the misdeeds of his father; and the mother is not to blame,” added Hippolyte, with warmth.
“Gavrila Ardalionovitch showed the general her portrait just now.”
“I was watching for you, prince,” said the individual.
He was not in the least disconcerted to see Varia there, but he stood a moment at the door, and then approached the prince quietly.
Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.
“I’ve always said she was predisposed to it,” whispered Afanasy Ivanovitch slyly. “Perhaps it is a fever!”
“Whom? What power?” asked her mother, crossly.
| “Well done, prince, capital!” cried Aglaya, who entered the room at this moment. “Thank you for assuming that I would not demean myself with lies. Come, is that enough, mamma, or do you intend to put any more questions?” |
The lodgers had disappeared very quickly--Ferdishenko soon after the events at Nastasia Philipovna’s, while the prince went to Moscow, as we know. Gania and his mother went to live with Varia and Ptitsin immediately after the latter’s wedding, while the general was housed in a debtor’s prison by reason of certain IOU’s given to the captain’s widow under the impression that they would never be formally used against him. This unkind action much surprised poor Ardalion Alexandrovitch, the victim, as he called himself, of an “unbounded trust in the nobility of the human heart.”
“You say, take the hundred thousand and kick that man out. It is true, it is an abominable business, as you say. I might have married long ago, not Gania--Oh, no!--but that would have been abominable too.
“If you wished to preserve your good name, why did you not give up your--your ‘guardian,’ Totski, without all that theatrical posturing?” said Aglaya, suddenly a propos of nothing.
| “I can tell you all about Colia,” said the young man |
Lebedeff had not returned, so towards evening Keller managed to penetrate into the prince’s apartments. He was not drunk, but in a confidential and talkative mood. He announced that he had come to tell the story of his life to Muishkin, and had only remained at Pavlofsk for that purpose. There was no means of turning him out; nothing short of an earthquake would have removed him.
In spite of the kindly-meant consolations of his new friends, the prince walked to his hotel in inexpressible anguish of spirit, through the hot, dusty streets, aimlessly staring at the faces of those who passed him. Arrived at his destination, he determined to rest awhile in his room before he started for Rogojin’s once more. He sat down, rested his elbows on the table and his head on his hands, and fell to thinking.
| “Well, well! Enough! You’ve pitied me, and that’s all that good manners exact. I forgot, how are you?” |
| “I’ll tell you what, my friend,” cried Mrs. Epanchin, of a sudden, “here are we all sitting here and imagining we are very clever, and perhaps laughing at the prince, some of us, and meanwhile he has received a letter this very day in which that same claimant renounces his claim, and begs the prince’s pardon. There! _we_ don’t often get that sort of letter; and yet we are not ashamed to walk with our noses in the air before him.” |
The prince said all this with manifest effort--in broken sentences, and with many drawings of breath. He was evidently much agitated. Nastasia Philipovna looked at him inquisitively, but did not laugh.
“I will wait here,” he stammered. “I should like to surprise her. ....”
| “I should refuse to say a word if _I_ were ordered to tell a story like that!” observed Aglaya. |
| “I daren’t say, one way or the other; all this is very strange--but--” |