“By reading the Apocalypse. The lady has a restless imagination, he-he! She has a liking for conversation on serious subjects, of any kind; in fact they please her so much, that it flatters her to discuss them. Now for fifteen years at least I have studied the Apocalypse, and she agrees with me in thinking that the present is the epoch represented by the third horse, the black one whose rider holds a measure in his hand. It seems to me that everything is ruled by measure in our century; all men are clamouring for their rights; ‘a measure of wheat for a penny, and three measures of barley for a penny.’ But, added to this, men desire freedom of mind and body, a pure heart, a healthy life, and all God’s good gifts. Now by pleading their rights alone, they will never attain all this, so the white horse, with his rider Death, comes next, and is followed by Hell. We talked about this matter when we met, and it impressed her very much.”
But Rogojin understood how things were tending, at last. An inexpressibly painful expression came over his face. He wrung his hands; a groan made its way up from the depths of his soul.

“It’s a wonderful face,” said the prince, “and I feel sure that her destiny is not by any means an ordinary, uneventful one. Her face is smiling enough, but she must have suffered terribly--hasn’t she? Her eyes show it--those two bones there, the little points under her eyes, just where the cheek begins. It’s a proud face too, terribly proud! And I--I can’t say whether she is good and kind, or not. Oh, if she be but good! That would make all well!”

“He won’t shoot himself; the boy is only playing the fool,” said General Ivolgin, suddenly and unexpectedly, with indignation.
One day, however, he and Lizabetha Prokofievna quarrelled seriously about the “woman question,” in the course of a lively discussion on that burning subject. He told her that she was a tyrant, and that he would never set foot in her house again. It may seem incredible, but a day or two after, Madame Epanchin sent a servant with a note begging him to return, and Colia, without standing on his dignity, did so at once.

Gania looked dreadfully put out, and tried to say something in reply, but Nastasia interrupted him:

“He discovered everything, the monster... himself......” “What a dear little thing she is,” thought the prince, and immediately forgot all about her.
“Lef Nicolaievitch, my friend, come along with me.” It was Rogojin.
She put her questions very quickly and talked fast, every now and then forgetting what she had begun to say, and not finishing her sentence. She seemed to be impatient to warn the prince about something or other. She was in a state of unusual excitement, and though she put on a brave and even defiant air, she seemed to be rather alarmed. She was dressed very simply, but this suited her well. She continually trembled and blushed, and she sat on the very edge of the seat.
This last fact could, of course, reflect nothing but credit upon the general; and yet, though unquestionably a sagacious man, he had his own little weaknesses--very excusable ones,--one of which was a dislike to any allusion to the above circumstance. He was undoubtedly clever. For instance, he made a point of never asserting himself when he would gain more by keeping in the background; and in consequence many exalted personages valued him principally for his humility and simplicity, and because “he knew his place.” And yet if these good people could only have had a peep into the mind of this excellent fellow who “knew his place” so well! The fact is that, in spite of his knowledge of the world and his really remarkable abilities, he always liked to appear to be carrying out other people’s ideas rather than his own. And also, his luck seldom failed him, even at cards, for which he had a passion that he did not attempt to conceal. He played for high stakes, and moved, altogether, in very varied society.
“What best wishes?”
“Did no one awake me besides yourself? Was there no one else here? I thought there was another woman.”
The note was written and folded anyhow, evidently in a great hurry, and probably just before Aglaya had come down to the verandah. “Why?”
Things had come to this unexpected point too quickly. Unexpected because Nastasia Philipovna, on her way to Pavlofsk, had thought and considered a good deal, and had expected something different, though perhaps not altogether good, from this interview; but Aglaya had been carried away by her own outburst, just as a rolling stone gathers impetus as it careers downhill, and could not restrain herself in the satisfaction of revenge.
“Why should I? I’ve given you the message.--Goodbye!”
“The child she carries is an orphan, too. She is Vera’s sister, my daughter Luboff. The day this babe was born, six weeks ago, my wife died, by the will of God Almighty.... Yes... Vera takes her mother’s place, though she is but her sister... nothing more... nothing more...” “Where they played last night. Then I found this bench and sat down, and thought and thought--and at last I fell fast asleep.”
“No! I trust you--but I can’t understand. It seems to me that your pity is greater than my love.” A hungry longing to speak his mind out seemed to flash in the man’s eyes, combined with an intense anger.
“You caught him by the arms, you know, prince. No man of proper pride can stand that sort of treatment in public.” Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances.
“But she is not that sort of woman, I tell you!” said Gania, angrily. “She was only acting.”

“Nastasia Philipovna!” began the general, reproachfully. He was beginning to put his own interpretation on the affair.

“The child she carries is an orphan, too. She is Vera’s sister, my daughter Luboff. The day this babe was born, six weeks ago, my wife died, by the will of God Almighty.... Yes... Vera takes her mother’s place, though she is but her sister... nothing more... nothing more...”
“You don’t believe it?” said the invalid, with a nervous laugh. “I don’t wonder, but the prince will have no difficulty in believing it; he will not be at all surprised.”

“General Ivolgin--retired and unfortunate. May I ask your Christian and generic names?”

“He’s fainted!” the cry went round.

He seized his paper in a desperate hurry; he fidgeted with it, and tried to sort it, but for a long while his trembling hands could not collect the sheets together. “He’s either mad or delirious,” murmured Rogojin. At last he began. “If you are too lazy to mend your bell, you should at least wait in the hall to let people in when they rattle the bell handle. There, now, you’ve dropped my fur cloak--dummy!”
“I love you, Aglaya Ivanovna,--I love you very much. I love only you--and--please don’t jest about it, for I do love you very much.”
Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time. Rogojin and Nastasia Philipovna reached the station just in time for the train. As he jumped out of the carriage and was almost on the point of entering the train, Rogojin accosted a young girl standing on the platform and wearing an old-fashioned, but respectable-looking, black cloak and a silk handkerchief over her head.

“Who indeed?” exclaimed Prince S.

“That’s true enough, he’ll have lots before evening!” put in Lebedeff.
The prince said all this with manifest effort--in broken sentences, and with many drawings of breath. He was evidently much agitated. Nastasia Philipovna looked at him inquisitively, but did not laugh.
“I am very glad indeed to have met you here, Colia,” said the prince. “Can you do something for me? I must see Nastasia Philipovna, and I asked Ardalion Alexandrovitch just now to take me to her house, but he has gone to sleep, as you see. Will you show me the way, for I do not know the street? I have the address, though; it is close to the Grand Theatre.”
“Oh, be calm--be calm! Get up!” he entreated, in despair.

“His only reply to this was a sour grimace. He rose and looked for my cap, and placed it in my hand, and led me out of the house--that dreadful gloomy house of his--to all appearances, of course, as though I were leaving of my own accord, and he were simply seeing me to the door out of politeness. His house impressed me much; it is like a burial-ground, he seems to like it, which is, however, quite natural. Such a full life as he leads is so overflowing with absorbing interests that he has little need of assistance from his surroundings.

“Of course he never existed!” Gania interrupted.

“Lef Nicolaievitch!” interposed Madame Epanchin, suddenly, “read this at once, this very moment! It is about this business.”

“Really, mother,” he had assured Nina Alexandrovna upstairs, “really you had better let him drink. He has not had a drop for three days; he must be suffering agonies--” The general now entered the room, threw the door wide open, and stood on the threshold trembling with indignation.

“How dared they, how _dared_ they write that hateful anonymous letter informing me that Aglaya is in communication with Nastasia Philipovna?” she thought, as she dragged the prince along towards her own house, and again when she sat him down at the round table where the family was already assembled. “How dared they so much as _think_ of such a thing? I should _die_ with shame if I thought there was a particle of truth in it, or if I were to show the letter to Aglaya herself! Who dares play these jokes upon _us_, the Epanchins? _Why_ didn’t we go to the Yelagin instead of coming down here? I _told_ you we had better go to the Yelagin this summer, Ivan Fedorovitch. It’s all your fault. I dare say it was that Varia who sent the letter. It’s all Ivan Fedorovitch. _That_ woman is doing it all for him, I know she is, to show she can make a fool of him now just as she did when he used to give her pearls.

But why recall all this? There was insanity on both sides. For him, the prince, to love this woman with passion, was unthinkable. It would be cruel and inhuman. Yes. Rogojin is not fair to himself; he has a large heart; he has aptitude for sympathy. When he learns the truth, and finds what a pitiable being is this injured, broken, half-insane creature, he will forgive her all the torment she has caused him. He will become her slave, her brother, her friend. Compassion will teach even Rogojin, it will show him how to reason. Compassion is the chief law of human existence. Oh, how guilty he felt towards Rogojin! And, for a few warm, hasty words spoken in Moscow, Parfen had called him “brother,” while he--but no, this was delirium! It would all come right! That gloomy Parfen had implied that his faith was waning; he must suffer dreadfully. He said he liked to look at that picture; it was not that he liked it, but he felt the need of looking at it. Rogojin was not merely a passionate soul; he was a fighter. He was fighting for the restoration of his dying faith. He must have something to hold on to and believe, and someone to believe in. What a strange picture that of Holbein’s is! Why, this is the street, and here’s the house, No. 16.
The words were hardly out of her mouth, when Lebedeff dragged Vera forward, in order to present her. “What nonsense!” “Perhaps he really doesn’t understand me! They do say that you are a--you know what! She loves another--there, you can understand that much! Just as I love her, exactly so she loves another man. And that other man is--do you know who? It’s you. There--you didn’t know that, eh?”

“What, his face? only his face?” asked Adelaida. “That would be a strange subject indeed. And what sort of a picture would that make?”

“I don’t know--perhaps--by morning it will be.”

“Why not? Certainly he would, I should think. He would marry her tomorrow!--marry her tomorrow and murder her in a week!”
“Oh, very well, let’s sit down, at all events, for I don’t intend to stand up all day. And remember, if you say, one word about ‘mischievous urchins,’ I shall go away and break with you altogether. Now then, did you, or did you not, send a letter to Aglaya, a couple of months or so ago, about Easter-tide?” “Well, and what did the lady do?” asked Nastasia, impatiently. “How--what do you mean you didn’t allow?”
For instance, when the whole essence of an ordinary person’s nature lies in his perpetual and unchangeable commonplaceness; and when in spite of all his endeavours to do something out of the common, this person ends, eventually, by remaining in his unbroken line of routine--. I think such an individual really does become a type of his own--a type of commonplaceness which will not for the world, if it can help it, be contented, but strains and yearns to be something original and independent, without the slightest possibility of being so. To this class of commonplace people belong several characters in this novel;--characters which--I admit--I have not drawn very vividly up to now for my reader’s benefit.