He paused again, he was trying to make up his mind to something, and was turning the matter over. The prince waited quietly. Once more Gania fixed him with intent and questioning eyes.
The prince recollected that somebody had told him something of the kind before, and he had, of course, scoffed at it. He only laughed now, and forgot the hint at once.
| “When I observed that it was all the same whether one died among trees or in front of a blank brick wall, as here, and that it was not worth making any fuss over a fortnight, he agreed at once. But he insisted that the good air at Pavlofsk and the greenness would certainly cause a physical change for the better, and that my excitement, and my _dreams_, would be perhaps relieved. I remarked to him, with a smile, that he spoke like a materialist, and he answered that he had always been one. As he never tells a lie, there must be something in his words. His smile is a pleasant one. I have had a good look at him. I don’t know whether I like him or not; and I have no time to waste over the question. The hatred which I felt for him for five months has become considerably modified, I may say, during the last month. Who knows, perhaps I am going to Pavlofsk on purpose to see him! But why do I leave my chamber? Those who are sentenced to death should not leave their cells. If I had not formed a final resolve, but had decided to wait until the last minute, I should not leave my room, or accept his invitation to come and die at Pavlofsk. I must be quick and finish this explanation before tomorrow. I shall have no time to read it over and correct it, for I must read it tomorrow to the prince and two or three witnesses whom I shall probably find there. |
In a word, the incident closed as such incidents do, and the band began to play again. The prince walked away after the Epanchin party. Had he thought of looking round to the left after he had been pushed so unceremoniously into the chair, he would have observed Aglaya standing some twenty yards away. She had stayed to watch the scandalous scene in spite of her mother’s and sisters’ anxious cries to her to come away.
In a quarter of an hour or so Prince N. and Evgenie Pavlovitch and the old dignitary were hard at work endeavouring to restore the harmony of the evening, but it was of no avail, and very soon after the guests separated and went their ways.
| “But I’m forbidden your house as it is, without your added threats!” cried the prince after her. |
Such were, for instance, Varvara Ardalionovna Ptitsin, her husband, and her brother, Gania.
| “Yes, he was.” |
Aglaya alone seemed sad and depressed; her face was flushed, perhaps with indignation.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.| “No--Aglaya--come, enough of this, you mustn’t behave like this,” said her father, in dismay. |
“This gentleman declares, Gavrila Ardalionovitch,” began the man, confidentially and almost familiarly, “that he is Prince Muishkin and a relative of Madame Epanchin’s. He has just arrived from abroad, with nothing but a bundle by way of luggage--.”
Hippolyte paused, and looked at him intently and with great gratification. He then turned his gaze upon Varia, bowed, and went out, without adding another word.
It was strange, Nastasia Philipovna felt, to see Aglaya like this. She gazed at her, and could hardly believe her eyes and ears for a moment or two.
| “Were you to blame, or not?” |
“Never more--from that sweet moment-- Gazéd he on womankind; He was dumb to love and wooing And to all their graces blind.
| “Then they were only words on your part? I thought, on the contrary...” |
| “Afraid of _you?_” asked Aglaya, beside herself with naive amazement that the other should dare talk to her like this. |
Arrived at the point where the Gorohovaya crosses the Sadovaya, he was surprised to find how excessively agitated he was. He had no idea that his heart could beat so painfully.
“You asked me about your faces, and what I could read in them; I will tell you with the greatest pleasure. You, Adelaida Ivanovna, have a very happy face; it is the most sympathetic of the three. Not to speak of your natural beauty, one can look at your face and say to one’s self, ‘She has the face of a kind sister.’ You are simple and merry, but you can see into another’s heart very quickly. That’s what I read in your face.
| “Hurrah!” cried Lebedeff, in a drunken voice. “Hurrah for the last of the Muishkins!” |
“Are you happy--are you happy?” she asked. “Say this one word. Are you happy now? Today, this moment? Have you just been with her? What did she say?”
“My dear prince,” began Prince S., hurriedly, exchanging glances with some of those present, “you will not easily find heaven on earth, and yet you seem to expect to. Heaven is a difficult thing to find anywhere, prince; far more difficult than appears to that good heart of yours. Better stop this conversation, or we shall all be growing quite disturbed in our minds, and--” “Who? I?--good and honest?”| Oh, how frightened he was of looking to one side--one particular corner--whence he knew very well that a pair of dark eyes were watching him intently, and how happy he was to think that he was once more among them, and occasionally hearing that well-known voice, although she had written and forbidden him to come again! |
| “I thought he might be useful. You know he is in love with Aglaya himself, now, and has written to her; he has even written to Lizabetha Prokofievna!” |
| “How ‘means nothing’? You are talking nonsense, my friend. You are marrying the woman you love in order to secure her happiness, and Aglaya sees and knows it. How can you say that it’s ‘not the point’?” |
| “What--shame you? I?--what do you mean, you young calf? I shame you? I can only do you honour, sir; I cannot shame you.” |
| He could bear it no longer, and with a look of entreaty, mingled with reproach, he addressed Aglaya, pointing to Nastasia the while: |
“And what shall I tell him by way of answer?”
“Afraid of _you?_” asked Aglaya, beside herself with naive amazement that the other should dare talk to her like this.
“Yes.”
“G.L.”
| “Yes, I saw her, and got the said slap in the face as mentioned. She chucked the letter back to me unopened, and kicked me out of the house, morally, not physically, although not far off it.” |
Oh, no, he did not think of Aglaya as a boarding-school miss, or a young lady of the conventional type! He had long since feared that she might take some such step as this. But why did she wish to see Nastasia?
| “Sarcasm!” cried Lebedeff, wringing his hands. “All right, all right, I’m not angry. I’m only put out about this. Whom do you suspect?” |
| “Well, good-bye!” said the prince, holding out his hand. |
Murmurs arose in the neighbourhood of Burdovsky and his companions; Lebedeff’s nephew protested under his breath.
“What an extraordinary person you are, prince! Do you mean to say that you doubt the fact that he is capable of murdering ten men?”| “Have I been acting rightly in allowing him to develop such vast resources of imagination?” the prince asked himself. But his answer was a fit of violent laughter which lasted ten whole minutes. He tried to reproach himself for the laughing fit, but eventually concluded that he needn’t do so, since in spite of it he was truly sorry for the old man. The same evening he received a strange letter, short but decided. The general informed him that they must part for ever; that he was grateful, but that even from him he could not accept “signs of sympathy which were humiliating to the dignity of a man already miserable enough.” |