| “This way--come along--I’ll show you.” |
| The general had turned up in the bosom of his family two or three days before, but not, as usual, with the olive branch of peace in his hand, not in the garb of penitence--in which he was usually clad on such occasions--but, on the contrary, in an uncommonly bad temper. He had arrived in a quarrelsome mood, pitching into everyone he came across, and talking about all sorts and kinds of subjects in the most unexpected manner, so that it was impossible to discover what it was that was really putting him out. At moments he would be apparently quite bright and happy; but as a rule he would sit moody and thoughtful. He would abruptly commence to hold forth about the Epanchins, about Lebedeff, or the prince, and equally abruptly would stop short and refuse to speak another word, answering all further questions with a stupid smile, unconscious that he was smiling, or that he had been asked a question. The whole of the previous night he had spent tossing about and groaning, and poor Nina Alexandrovna had been busy making cold compresses and warm fomentations and so on, without being very clear how to apply them. He had fallen asleep after a while, but not for long, and had awaked in a state of violent hypochondria which had ended in his quarrel with Hippolyte, and the solemn cursing of Ptitsin’s establishment generally. It was also observed during those two or three days that he was in a state of morbid self-esteem, and was specially touchy on all points of honour. Colia insisted, in discussing the matter with his mother, that all this was but the outcome of abstinence from drink, or perhaps of pining after Lebedeff, with whom up to this time the general had been upon terms of the greatest friendship; but with whom, for some reason or other, he had quarrelled a few days since, parting from him in great wrath. There had also been a scene with the prince. Colia had asked an explanation of the latter, but had been forced to conclude that he was not told the whole truth. |
| First of all Hippolyte had arrived, early in the evening, and feeling decidedly better, had determined to await the prince on the verandah. There Lebedeff had joined him, and his household had followed--that is, his daughters and General Ivolgin. Burdovsky had brought Hippolyte, and stayed on with him. Gania and Ptitsin had dropped in accidentally later on; then came Keller, and he and Colia insisted on having champagne. Evgenie Pavlovitch had only dropped in half an hour or so ago. Lebedeff had served the champagne readily. |
| “I know nothing, Nastasia Philipovna. I have seen nothing. You are right so far; but I consider that you would be honouring me, and not I you. I am a nobody. You have suffered, you have passed through hell and emerged pure, and that is very much. Why do you shame yourself by desiring to go with Rogojin? You are delirious. You have returned to Mr. Totski his seventy-five thousand roubles, and declared that you will leave this house and all that is in it, which is a line of conduct that not one person here would imitate. Nastasia Philipovna, I love you! I would die for you. I shall never let any man say one word against you, Nastasia Philipovna! and if we are poor, I can work for both.” |
| “Came where? What do you mean?” asked Rogojin, amazed. But Hippolyte, panting and choking with excitement, interrupted him violently. |
| The prince jumped to the conclusion that Aglaya, too, was nervous about him, and the impression he would make, and that she did not like to admit her anxiety; and this thought alarmed him. |
“I won’t show it to anyone,” said the prince.
“Oh! I _don’t_ intend to. Thanks. I live here, next door to you; you noticed a room, did you? Don’t come to me very often; I shall see you here quite often enough. Have you seen the general?” “Now how on earth am I to announce a man like that?” muttered the servant. “In the first place, you’ve no right in here at all; you ought to be in the waiting-room, because you’re a sort of visitor--a guest, in fact--and I shall catch it for this. Look here, do you intend to take up you abode with us?” he added, glancing once more at the prince’s bundle, which evidently gave him no peace.“Oh, not cold--believe an old man--not from a cold, but from grief for her prince. Oh--your mother, your mother! heigh-ho! Youth--youth! Your father and I--old friends as we were--nearly murdered each other for her sake.”
However, a week later she received another letter from the same source, and at last resolved to speak.
Ivan Fedorovitch, now quite out of patience, interrupted suddenly. “Let me remark in my turn, sir,” he said in tones of deep annoyance, “that my wife is here as the guest of Prince Lef Nicolaievitch, our friend and neighbour, and that in any case, young man, it is not for you to pass judgment on the conduct of Lizabetha Prokofievna, or to make remarks aloud in my presence concerning what feelings you think may be read in my face. Yes, my wife stayed here,” continued the general, with increasing irritation, “more out of amazement than anything else. Everyone can understand that a collection of such strange young men would attract the attention of a person interested in contemporary life. I stayed myself, just as I sometimes stop to look on in the street when I see something that may be regarded as-as-as-”
| “Excuse me; I was able to deliver it almost immediately after receiving your commission, and I gave it, too, just as you asked me to. It has come into my hands now because Aglaya Ivanovna has just returned it to me.” |
But Nastasia could not hide the cause of her intense interest in her wedding splendour. She had heard of the indignation in the town, and knew that some of the populace was getting up a sort of charivari with music, that verses had been composed for the occasion, and that the rest of Pavlofsk society more or less encouraged these preparations. So, since attempts were being made to humiliate her, she wanted to hold her head even higher than usual, and to overwhelm them all with the beauty and taste of her toilette. “Let them shout and whistle, if they dare!” Her eyes flashed at the thought. But, underneath this, she had another motive, of which she did not speak. She thought that possibly Aglaya, or at any rate someone sent by her, would be present incognito at the ceremony, or in the crowd, and she wished to be prepared for this eventuality.
| “Yes, it’s quite true,” said Rogojin, frowning gloomily; “so Zaleshoff told me. I was walking about the Nefsky one fine day, prince, in my father’s old coat, when she suddenly came out of a shop and stepped into her carriage. I swear I was all of a blaze at once. Then I met Zaleshoff--looking like a hair-dresser’s assistant, got up as fine as I don’t know who, while I looked like a tinker. ‘Don’t flatter yourself, my boy,’ said he; ‘she’s not for such as you; she’s a princess, she is, and her name is Nastasia Philipovna Barashkoff, and she lives with Totski, who wishes to get rid of her because he’s growing rather old--fifty-five or so--and wants to marry a certain beauty, the loveliest woman in all Petersburg.’ And then he told me that I could see Nastasia Philipovna at the opera-house that evening, if I liked, and described which was her box. Well, I’d like to see my father allowing any of us to go to the theatre; he’d sooner have killed us, any day. However, I went for an hour or so and saw Nastasia Philipovna, and I never slept a wink all night after. Next morning my father happened to give me two government loan bonds to sell, worth nearly five thousand roubles each. ‘Sell them,’ said he, ‘and then take seven thousand five hundred roubles to the office, give them to the cashier, and bring me back the rest of the ten thousand, without looking in anywhere on the way; look sharp, I shall be waiting for you.’ Well, I sold the bonds, but I didn’t take the seven thousand roubles to the office; I went straight to the English shop and chose a pair of earrings, with a diamond the size of a nut in each. They cost four hundred roubles more than I had, so I gave my name, and they trusted me. With the earrings I went at once to Zaleshoff’s. ‘Come on!’ I said, ‘come on to Nastasia Philipovna’s,’ and off we went without more ado. I tell you I hadn’t a notion of what was about me or before me or below my feet all the way; I saw nothing whatever. We went straight into her drawing-room, and then she came out to us. |
| Five years of this Petersburg life went by, and, of course, during that time a great deal happened. Totski’s position was very uncomfortable; having “funked” once, he could not totally regain his ease. He was afraid, he did not know why, but he was simply _afraid_ of Nastasia Philipovna. For the first two years or so he had suspected that she wished to marry him herself, and that only her vanity prevented her telling him so. He thought that she wanted him to approach her with a humble proposal from his own side. But to his great, and not entirely pleasurable amazement, he discovered that this was by no means the case, and that were he to offer himself he would be refused. He could not understand such a state of things, and was obliged to conclude that it was pride, the pride of an injured and imaginative woman, which had gone to such lengths that it preferred to sit and nurse its contempt and hatred in solitude rather than mount to heights of hitherto unattainable splendour. To make matters worse, she was quite impervious to mercenary considerations, and could not be bribed in any way. |
| “Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?” |
“But, you wretched man, at least she must have said something? There must be _some_ answer from her!”
| The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand. |
| “Twenty-seventh; very well. Good-bye now; you have a good deal to do, I’m sure, and I must dress and go out. Take your portrait. Give my respects to your unfortunate mother, Nina Alexandrovna. _Au revoir_, dear prince, come in and see us often, do; and I shall tell old Princess Bielokonski about you. I shall go and see her on purpose. And listen, my dear boy, I feel sure that God has sent you to Petersburg from Switzerland on purpose for me. Maybe you will have other things to do, besides, but you are sent chiefly for my sake, I feel sure of it. God sent you to me! Au revoir! Alexandra, come with me, my dear.” |
| Occasionally the prince heard loud talking and laughing upstairs, and once he detected the sound of a jolly soldier’s song going on above, and recognized the unmistakable bass of the general’s voice. But the sudden outbreak of song did not last; and for an hour afterwards the animated sound of apparently drunken conversation continued to be heard from above. At length there was the clearest evidence of a grand mutual embracing, and someone burst into tears. Shortly after this, however, there was a violent but short-lived quarrel, with loud talking on both sides. |
“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.
“I remembered there was some quarrel between father and Miss Smith, the Bielokonski’s governess,” said Colia.
“Prince Muishkin, I believe? The gentleman to whom I had the honour of being introduced?”
“There’s the deuce and all going on there!” he said. “First of all about the row last night, and I think there must be something new as well, though I didn’t like to ask. Not a word about _you_, prince, the whole time! The most interesting fact was that Aglaya had been quarrelling with her people about Gania. Colia did not know any details, except that it had been a terrible quarrel! Also Evgenie Pavlovitch had called, and met with an excellent reception all round. And another curious thing: Mrs. Epanchin was so angry that she called Varia to her--Varia was talking to the girls--and turned her out of the house ‘once for all’ she said. I heard it from Varia herself--Mrs. Epanchin was quite polite, but firm; and when Varia said good-bye to the girls, she told them nothing about it, and they didn’t know they were saying goodbye for the last time. I’m sorry for Varia, and for Gania too; he isn’t half a bad fellow, in spite of his faults, and I shall never forgive myself for not liking him before! I don’t know whether I ought to continue to go to the Epanchins’ now,” concluded Colia--“I like to be quite independent of others, and of other people’s quarrels if I can; but I must think over it.”| “Immediately, immediately! As for my story, gentlemen, it is too stupid and absurd to tell you. |
| Ptitsin here looked in and beckoned to Gania, who hastily left the room, in spite of the fact that he had evidently wished to say something more and had only made the remark about the room to gain time. The prince had hardly had time to wash and tidy himself a little when the door opened once more, and another figure appeared. |
In another corner was the general, holding forth to a group of hearers, among them Ptitsin, whom he had buttonholed. “I have known,” said he, “a real interpreter of the Apocalypse, the late Gregory Semeonovitch Burmistroff, and he--he pierced the heart like a fiery flash! He began by putting on his spectacles, then he opened a large black book; his white beard, and his two medals on his breast, recalling acts of charity, all added to his impressiveness. He began in a stern voice, and before him generals, hard men of the world, bowed down, and ladies fell to the ground fainting. But this one here--he ends by announcing a banquet! That is not the real thing!”
“Admitted that consciousness is called into existence by the will of a Higher Power; admitted that this consciousness looks out upon the world and says ‘I am;’ and admitted that the Higher Power wills that the consciousness so called into existence, be suddenly extinguished (for so--for some unexplained reason--it is and must be)--still there comes the eternal question--why must I be humble through all this? Is it not enough that I am devoured, without my being expected to bless the power that devours me? Surely--surely I need not suppose that Somebody--there--will be offended because I do not wish to live out the fortnight allowed me? I don’t believe it.
Arrived at her house, Lizabetha Prokofievna paused in the first room. She could go no farther, and subsided on to a couch quite exhausted; too feeble to remember so much as to ask the prince to take a seat. This was a large reception-room, full of flowers, and with a glass door leading into the garden.
“Yes, or even if they had! But who did sleep with you?”
“Screw!” laughed Hippolyte.
| “No; of course not.” |
“You don’t know what anger is!” laughed Rogojin, in reply to the prince’s heated words.
“Who could have told her?”“Is he raving?” said the general. “Are we really in a mad-house?”
| “Oh--h--h! You mean the four hundred roubles!” said Lebedeff, dragging the words out, just as though it had only just dawned upon him what the prince was talking about. “Thanks very much, prince, for your kind interest--you do me too much honour. I found the money, long ago!” |
“Who, in the name of what Law, would think of disputing my full personal right over the fortnight of life left to me? What jurisdiction can be brought to bear upon the case? Who would wish me, not only to be sentenced, but to endure the sentence to the end? Surely there exists no man who would wish such a thing--why should anyone desire it? For the sake of morality? Well, I can understand that if I were to make an attempt upon my own life while in the enjoyment of full health and vigour--my life which might have been ‘useful,’ etc., etc.--morality might reproach me, according to the old routine, for disposing of my life without permission--or whatever its tenet may be. But now, _now_, when my sentence is out and my days numbered! How can morality have need of my last breaths, and why should I die listening to the consolations offered by the prince, who, without doubt, would not omit to demonstrate that death is actually a benefactor to me? (Christians like him always end up with that--it is their pet theory.) And what do they want with their ridiculous ‘Pavlofsk trees’? To sweeten my last hours? Cannot they understand that the more I forget myself, the more I let myself become attached to these last illusions of life and love, by means of which they try to hide from me Meyer’s wall, and all that is so plainly written on it--the more unhappy they make me? What is the use of all your nature to me--all your parks and trees, your sunsets and sunrises, your blue skies and your self-satisfied faces--when all this wealth of beauty and happiness begins with the fact that it accounts me--only me--one too many! What is the good of all this beauty and glory to me, when every second, every moment, I cannot but be aware that this little fly which buzzes around my head in the sun’s rays--even this little fly is a sharer and participator in all the glory of the universe, and knows its place and is happy in it;--while I--only I, am an outcast, and have been blind to the fact hitherto, thanks to my simplicity! Oh! I know well how the prince and others would like me, instead of indulging in all these wicked words of my own, to sing, to the glory and triumph of morality, that well-known verse of Gilbert’s:
But Prince S. was laughing now, too, so was Evgenie Pavlovitch, so was Colia, and so was the prince himself, who caught the infection as he looked round radiantly upon the others.
It would be difficult to describe the animation and high spirits which distinguished the prince for the rest of the evening.
| Both she and Aglaya stood and waited as though in expectation, and both looked at the prince like madwomen. |
| “But what on earth did she mean? I assure you it is a real riddle to me--to me, and to others, too!” Prince S. seemed to be under the influence of sincere astonishment. |
He burst out laughing again, but it was the laughter of a madman. Lizabetha Prokofievna approached him anxiously and seized his arm. He stared at her for a moment, still laughing, but soon his face grew serious.
| “She gave it me just now, when I called in to congratulate her. I asked her for it long ago. I don’t know whether she meant it for a hint that I had come empty-handed, without a present for her birthday, or what,” added Gania, with an unpleasant smile. |
| “Oh, she is mad!” cried the prince, wringing his hands. |
“At once? Now? You must have forgotten...” began the prince.
| “I think you might have spared me that,” murmured the prince reproachfully, almost in a whisper. |
“I cannot sacrifice myself so, though I admit I did wish to do so once. Who knows, perhaps I still wish to! But I know for _certain_, that if she married me it would be her ruin; I know this and therefore I leave her alone. I ought to go to see her today; now I shall probably not go. She is proud, she would never forgive me the nature of the love I bear her, and we should both be ruined. This may be unnatural, I don’t know; but everything seems unnatural. You say she loves me, as if this were _love!_ As if she could love _me_, after what I have been through! No, no, it is not love.”
| They exchanged glances questioningly, but the prince did not seem to have understood the meaning of Aglaya’s words; he was in the highest heaven of delight. |
“I don’t understand you in the least, Parfen.”