“DEAR COLIA,--Please be so kind as to give the enclosed sealed letter to Aglaya Ivanovna. Keep well--Ever your loving,
But there were other defenders for Nastasia on the spot by this time. The gentleman known as the “boxer” now confronted the enraged officer.
“And why did you tell us this?”
“Oh! do stop--you are too absurd!”
| “And why not? Why, the last time I simply told straight off about how I stole three roubles.” |
| “Better read on without any more beating about the bush,” said Gania. |
“I did not rise from my bed, and I don’t know how long I lay with my eyes open, thinking. I don’t know what I thought about, nor how I fell asleep or became insensible; but I awoke next morning after nine o’clock when they knocked at my door. My general orders are that if I don’t open the door and call, by nine o’clock, Matreona is to come and bring my tea. When I now opened the door to her, the thought suddenly struck me--how could he have come in, since the door was locked? I made inquiries and found that Rogojin himself could not possibly have come in, because all our doors were locked for the night.
Gania looked dreadfully put out, and tried to say something in reply, but Nastasia interrupted him:
| “You don’t seem to want to tell us,” said Aglaya, with a mocking air. |
| “Speak!” said the general, beside himself with rage and excitement; “speak--under the penalty of a father’s curse!” |
“He is a traitor! a conspirator!” shouted Lebedeff, who seemed to have lost all control over himself. “A monster! a slanderer! Ought I to treat him as a nephew, the son of my sister Anisia?”
“The noble and intelligent word of an intelligent and most noble man, at last!” exclaimed the boxer.
“What a pity! What a pity! It’s just my luck!” repeated Ardalion Alexandrovitch over and over again, in regretful tones. “When your master and mistress return, my man, tell them that General Ivolgin and Prince Muishkin desired to present themselves, and that they were extremely sorry, excessively grieved...”| “Of course she did!” said Rogojin, showing his teeth; “and I saw for myself what I knew before. You’ve read her letters, I suppose?” |
All present interchanged glances, but at last the old dignitary burst out laughing frankly. Prince N. took out his eye-glass to have a good look at the speaker. The German poet came out of his corner and crept nearer to the table, with a spiteful smile.
“Well--it’s all most strange to me. That is--my dear fellow, it is such a surprise--such a blow--that... You see, it is not your financial position (though I should not object if you were a bit richer)--I am thinking of my daughter’s happiness, of course, and the thing is--are you able to give her the happiness she deserves? And then--is all this a joke on her part, or is she in earnest? I don’t mean on your side, but on hers.”“Mamma, what are you saying?” said Alexandra again, hurriedly.
“Yes, I do think so!” “Get out of this, you drunken beast!” cried Gania, who was red and white by turns. “No finessing, please. What did you write about?”| None of the band were very drunk, for the leader had kept his intended visit to Nastasia in view all day, and had done his best to prevent his followers from drinking too much. He was sober himself, but the excitement of this chaotic day--the strangest day of his life--had affected him so that he was in a dazed, wild condition, which almost resembled drunkenness. |
| This time they neither opened the door at Rogojin’s flat nor at the one opposite. The prince found the porter with difficulty, but when found, the man would hardly look at him or answer his questions, pretending to be busy. Eventually, however, he was persuaded to reply so far as to state that Rogojin had left the house early in the morning and gone to Pavlofsk, and that he would not return today at all. |
| “My dear fellow!” cried Prince S., with some annoyance, “don’t you see that he is chaffing you? He is simply laughing at you, and wants to make game of you.” |
Aglaya did not so much as glance at the new arrivals, but went on with her recitation, gazing at the prince the while in an affected manner, and at him alone. It was clear to him that she was doing all this with some special object.
He stood there for a minute and then, suddenly and strangely enough, it seemed to him that a little corner of one of the blinds was lifted, and Rogojin’s face appeared for an instant and then vanished. He waited another minute, and decided to go and ring the bell once more; however, he thought better of it again and put it off for an hour.Totski ended his tale with the same dignity that had characterized its commencement.
“Ha, ha! Then you are afraid you _will_ wave your arms about! I wouldn’t mind betting that you’ll talk about some lofty subject, something serious and learned. How delightful, how tactful that will be!”| “Met me somewhere, pfu! Why, it’s only three months since I lost two hundred roubles of my father’s money to you, at cards. The old fellow died before he found out. Ptitsin knows all about it. Why, I’ve only to pull out a three-rouble note and show it to you, and you’d crawl on your hands and knees to the other end of the town for it; that’s the sort of man you are. Why, I’ve come now, at this moment, to buy you up! Oh, you needn’t think that because I wear these boots I have no money. I have lots of money, my beauty,--enough to buy up you and all yours together. So I shall, if I like to! I’ll buy you up! I will!” he yelled, apparently growing more and more intoxicated and excited. “Oh, Nastasia Philipovna! don’t turn me out! Say one word, do! Are you going to marry this man, or not?” |
The lady of the house appeared to be a woman of about fifty years of age, thin-faced, and with black lines under the eyes. She looked ill and rather sad; but her face was a pleasant one for all that; and from the first word that fell from her lips, any stranger would at once conclude that she was of a serious and particularly sincere nature. In spite of her sorrowful expression, she gave the idea of possessing considerable firmness and decision.
XI. “Most undoubtedly, excellent prince, you have hit it--that is the very question. How wonderfully you express the exact situation in a few words!”| For some time the prince wandered about without aim or object. He did not know the town well. He stopped to look about him on bridges, at street corners. He entered a confectioner’s shop to rest, once. He was in a state of nervous excitement and perturbation; he noticed nothing and no one; and he felt a craving for solitude, to be alone with his thoughts and his emotions, and to give himself up to them passively. He loathed the idea of trying to answer the questions that would rise up in his heart and mind. “I am not to blame for all this,” he thought to himself, half unconsciously. |
| “Oh, I’m a mean wretch--a mean wretch!” he said, approaching the prince once more, and beating his breast, with tears in his eyes. |
“‘I do not wish to deprive your mother of you, and, therefore, I will not ask you to go with me,’ he said, the morning of his departure, ‘but I should like to do something for you.’ He was mounting his horse as he spoke. ‘Write something in my sister’s album for me,’ I said rather timidly, for he was in a state of great dejection at the moment. He turned, called for a pen, took the album. ‘How old is your sister?’ he asked, holding the pen in his hand. ‘Three years old,’ I said. ‘Ah, _petite fille alors!_’ and he wrote in the album:
| Sure enough, the train was just steaming in as he spoke. |
| “Whose fault is it that they are all miserable, that they don’t know how to live, though they have fifty or sixty years of life before them? Why did that fool allow himself to die of hunger with sixty years of unlived life before him? |
| “I suppose your whole set-up is in that bundle, then?” asked the first. |
“But the universal necessity of living, of drinking, of eating--in short, the whole scientific conviction that this necessity can only be satisfied by universal co-operation and the solidarity of interests--is, it seems to me, a strong enough idea to serve as a basis, so to speak, and a ‘spring of life,’ for humanity in future centuries,” said Gavrila Ardalionovitch, now thoroughly roused.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”All this was no doubt extremely coarse, and moreover it was premeditated, but after all Ferdishenko had persuaded everyone to accept him as a buffoon.
| “Nervous about you?” Aglaya blushed. “Why should I be nervous about you? What would it matter to me if you were to make ever such a fool of yourself? How can you say such a thing? What do you mean by ‘making a fool of yourself’? What a vulgar expression! I suppose you intend to talk in that sort of way tomorrow evening? Look up a few more such expressions in your dictionary; do, you’ll make a grand effect! I’m sorry that you seem to be able to come into a room as gracefully as you do; where did you learn the art? Do you think you can drink a cup of tea decently, when you know everybody is looking at you, on purpose to see how you do it?” |
| The sufferer was immediately taken to his room, and though he partially regained consciousness, he lay long in a semi-dazed condition. |
“Silence!” cried Nastasia Philipovna. “You are about as fit to understand me as the housemaid here, who bore witness against her lover in court the other day. She would understand me better than you do.”
“Well, I’ll tell you,” said the prince, apparently in a deep reverie.
“I knew it was bound to be so.” Then he added quickly: “Excellency, I have the honour of inviting you to my funeral; that is, if you will deign to honour it with your presence. I invite you all, gentlemen, as well as the general.”| “I have told you already, that I will not go away until I have got what I ask. Why are you smiling, prince? You look as if you disapproved of me.” |
“Oh, make a sacrifice of yourself! That sort of thing becomes you well, you know. Why not do it? And don’t call me ‘Aglaya’; you have done it several times lately. You are bound, it is your _duty_ to ‘raise’ her; you must go off somewhere again to soothe and pacify her. Why, you love her, you know!”
There was nothing particularly significant in the fact that a man was standing back in the doorway, waiting to come out or go upstairs; but the prince felt an irresistible conviction that he knew this man, and that it was Rogojin. The man moved on up the stairs; a moment later the prince passed up them, too. His heart froze within him. “In a minute or two I shall know all,” he thought.