“I must say it’s very nice of you to laugh. I see you really are a kind-hearted fellow,” said Mrs. Epanchin.

He remembered seeing something in the window marked at sixty copecks. Therefore, if the shop existed and if this object were really in the window, it would prove that he had been able to concentrate his attention on this article at a moment when, as a general rule, his absence of mind would have been too great to admit of any such concentration; in fact, very shortly after he had left the railway station in such a state of agitation.

The prince was startled, and reflected for a moment.

“No, you’re not to drink any more, Hippolyte. I won’t let you.” The prince moved the glass away.

The prince rose from his seat, and Lebedeff, surprised to see his guest preparing to go so soon, remarked: “You are not interested?” in a respectful tone.

“But I have done so, my dear prince!” said Lebedeff, more sweetly than ever.

The prince watched the whole scene, silent and dejected.
“Yes, I do think so!”

He crossed the salon and the entrance-hall, so as to pass down the corridor into his own room. As he came near the front door he heard someone outside vainly endeavouring to ring the bell, which was evidently broken, and only shook a little, without emitting any sound.

“AGLAYA EPANCHIN.”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“I was there,” said Rogojin, unexpectedly. “Come along.” The prince was surprised at this answer; but his astonishment increased a couple of minutes afterwards, when he began to consider it. Having thought it over, he glanced at Rogojin in alarm. The latter was striding along a yard or so ahead, looking straight in front of him, and mechanically making way for anyone he met.
He longed to solve the mystery of something in the face of Nastasia Philipovna, something which had struck him as he looked at the portrait for the first time; the impression had not left him. It was partly the fact of her marvellous beauty that struck him, and partly something else. There was a suggestion of immense pride and disdain in the face almost of hatred, and at the same time something confiding and very full of simplicity. The contrast aroused a deep sympathy in his heart as he looked at the lovely face. The blinding loveliness of it was almost intolerable, this pale thin face with its flaming eyes; it was a strange beauty.

“H’m! why must you needs go up and change your coat like that?” asked the prince, banging the table with his fist, in annoyance.

The prince made a rush after her, but he was caught and held back. The distorted, livid face of Nastasia gazed at him reproachfully, and her blue lips whispered:
“Not for the world, not for the world! I merely wish to make him ashamed of himself. Oh, prince, great though this misfortune be to myself, I cannot help thinking of his morals! I have a great favour to ask of you, esteemed prince; I confess that it is the chief object of my visit. You know the Ivolgins, you have even lived in their house; so if you would lend me your help, honoured prince, in the general’s own interest and for his good.”
The president joined in the general outcry.
But in spite of this conclusion to the episode, the prince remained as puzzled as ever, if not more so. He awaited next morning’s interview with the general most impatiently.

“You know quite well that I am telling the truth, because I have always been frank with you. I have never concealed my own opinion from you. I have always told you that I consider a marriage between you and her would be ruin to her. You would also be ruined, and perhaps even more hopelessly. If this marriage were to be broken off again, I admit I should be greatly pleased; but at the same time I have not the slightest intention of trying to part you. You may be quite easy in your mind, and you need not suspect me. You know yourself whether I was ever really your rival or not, even when she ran away and came to me.

“Yes, herself; and you may believe me when I tell you that I would not have read it for anything without her permission.”
“Well, what then? Supposing I should like to know?” cried Lizabetha Prokofievna, blushing. “I’m sure I am not afraid of plain speaking. I’m not offending anyone, and I never wish to, and--”

“How did you know who I was? Where had you seen me before? And why were you so struck dumb at the sight of me? What was there so overwhelming about me?”

However, she had not reached the outer hall when she turned round, walked quickly up to Nina Alexandrovna, seized her hand and lifted it to her lips.
The prince was startled, and reflected for a moment.
“H’m! and you think there was something of this sort here, do you? Dear me--a very remarkable comparison, you know! But you must have observed, my dear Ptitsin, that I did all I possibly could. I could do no more than I did. And you must admit that there are some rare qualities in this woman. I felt I could not speak in that Bedlam, or I should have been tempted to cry out, when she reproached me, that she herself was my best justification. Such a woman could make anyone forget all reason--everything! Even that moujik, Rogojin, you saw, brought her a hundred thousand roubles! Of course, all that happened tonight was ephemeral, fantastic, unseemly--yet it lacked neither colour nor originality. My God! What might not have been made of such a character combined with such beauty! Yet in spite of all efforts--in spite of all education, even--all those gifts are wasted! She is an uncut diamond.... I have often said so.”

A week had elapsed since the rendezvous of our two friends on the green bench in the park, when, one fine morning at about half-past ten o’clock, Varvara Ardalionovna, otherwise Mrs. Ptitsin, who had been out to visit a friend, returned home in a state of considerable mental depression.

“What are you grinning at my father’s portrait again for?” asked Rogojin, suddenly. He was carefully observing every change in the expression of the prince’s face.
“Gentlemen, if any one of you casts any doubt again, before me, upon Hippolyte’s good faith, or hints that the cap was forgotten intentionally, or suggests that this unhappy boy was acting a part before us, I beg to announce that the person so speaking shall account to me for his words.”
“I thought you were capable of development,” said Hippolyte, coming out of his fit of abstraction. “Yes, that is what I meant to say,” he added, with the satisfaction of one who suddenly remembers something he had forgotten. “Here is Burdovsky, sincerely anxious to protect his mother; is not that so? And he himself is the cause of her disgrace. The prince is anxious to help Burdovsky and offers him friendship and a large sum of money, in the sincerity of his heart. And here they stand like two sworn enemies--ha, ha, ha! You all hate Burdovsky because his behaviour with regard to his mother is shocking and repugnant to you; do you not? Is not that true? Is it not true? You all have a passion for beauty and distinction in outward forms; that is all you care for, isn’t it? I have suspected for a long time that you cared for nothing else! Well, let me tell you that perhaps there is not one of you who loved your mother as Burdovsky loved his. As to you, prince, I know that you have sent money secretly to Burdovsky’s mother through Gania. Well, I bet now,” he continued with an hysterical laugh, “that Burdovsky will accuse you of indelicacy, and reproach you with a want of respect for his mother! Yes, that is quite certain! Ha, ha, ha!”
“All this is very strange and interesting,” said Mrs. Epanchin. “Now let’s leave the donkey and go on to other matters. What are you laughing at, Aglaya? and you too, Adelaida? The prince told us his experiences very cleverly; he saw the donkey himself, and what have you ever seen? _you_ have never been abroad.”

“Every one of them has been saying it--every one of them--all these three days! And I will never, never marry him!”

“By five I drew up at the Ekshaisky inn. I waited there till dawn, and soon after six I was off, and at the old merchant Trepalaf’s.
“No; because I am unworthy of my sufferings, if you like!”
“No, they are not Nihilists,” explained Lebedeff, who seemed much excited. “This is another lot--a special group. According to my nephew they are more advanced even than the Nihilists. You are quite wrong, excellency, if you think that your presence will intimidate them; nothing intimidates them. Educated men, learned men even, are to be found among Nihilists; these go further, in that they are men of action. The movement is, properly speaking, a derivative from Nihilism--though they are only known indirectly, and by hearsay, for they never advertise their doings in the papers. They go straight to the point. For them, it is not a question of showing that Pushkin is stupid, or that Russia must be torn in pieces. No; but if they have a great desire for anything, they believe they have a right to get it even at the cost of the lives, say, of eight persons. They are checked by no obstacles. In fact, prince, I should not advise you...”
“My dear Lebedeff, I--”
The woman lowered her eyes. “Quite so, I take no notice of it. Ha, ha! and think of this, prince, my pockets are always strong and whole, and yet, here in one night, is a huge hole. I know the phenomenon is unworthy of your notice; but such is the case. I examined the hole, and I declare it actually looks as though it had been made with a pen-knife, a most improbable contingency.”

“Yes, you are, indeed.”

Hardly had the prince uttered the last word when Gania gave such a fearful shudder that the prince almost cried out.

“As lovely as _who?_” said Mrs. Epanchin. “As _Nastasia Philipovna?_ Where have you seen Nastasia Philipovna? What Nastasia Philipovna?”

“The urchin! the urchin!” interrupted Lizabetha Prokofievna in an angry voice. “I do not want to know if it were Nicolai Ardalionovitch! The urchin!”
“Lef Nicolaievitch,” said Rogojin, after a pause, during which the two walked along a little further, “I have long wished to ask you, do you believe in God?”
He approached the table and laid a small sheet of paper before her. It looked like a little note.
IV.
“Oh, I didn’t mean in this room! I know I can’t smoke here, of course. I’d adjourn to some other room, wherever you like to show me to. You see, I’m used to smoking a good deal, and now I haven’t had a puff for three hours; however, just as you like.”
“Well--that’ll do; now leave me.”
“In spite of Norma’s terror she looked furious, though she trembled in all her limbs. At length she slowly bared her terrible teeth, opened her great red jaws, hesitated--took courage, and seized the beast in her mouth. It seemed to try to dart out of her jaws twice, but Norma caught at it and half swallowed it as it was escaping. The shell cracked in her teeth; and the tail and legs stuck out of her mouth and shook about in a horrible manner. Suddenly Norma gave a piteous whine; the reptile had bitten her tongue. She opened her mouth wide with the pain, and I saw the beast lying across her tongue, and out of its body, which was almost bitten in two, came a hideous white-looking substance, oozing out into Norma’s mouth; it was of the consistency of a crushed black-beetle. Just then I awoke and the prince entered the room.”
The prince only laughed. Aglaya stamped her foot with annoyance.
“Such advice, and at such a moment, you must allow, prince, was--”
“I only wished to say that this ‘distortion,’ as Evgenie Pavlovitch expressed it, is met with very often, and is far more the general rule than the exception, unfortunately for Russia. So much so, that if this distortion were not the general rule, perhaps these dreadful crimes would be less frequent.”

“Of course,” added the prince, “he wished us all to applaud his conduct--besides yourself.”