“Yes.”
“Do you know why I have just told you these lies?” She appealed to the prince, of a sudden, with the most childlike candour, and with the laugh still trembling on her lips. “Because when one tells a lie, if one insists on something unusual and eccentric--something too ‘out of the way’ for anything, you know--the more impossible the thing is, the more plausible does the lie sound. I’ve noticed this. But I managed it badly; I didn’t know how to work it.” She suddenly frowned again at this point as though at some sudden unpleasant recollection.
He ran off and left the prince more dejected than ever. It was about Easter, when, taking advantage of a momentary tête-à-tête Colia handed Aglaya a letter, remarking that he “had orders to deliver it to her privately.” She stared at him in amazement, but he did not wait to hear what she had to say, and went out. Aglaya broke the seal, and read as follows: II. She went on talking and chatting without a pause, with occasional little bursts of laughter between.
“Now, Gania,” cried Varia, frightened, “we can’t let him go out! We can’t afford to have a breath of scandal about the town at this moment. Run after him and beg his pardon--quick.”

“No. I was only going to say that what surprises me most of all is your extraordinary confidence.”

X.
“I knew you would not misunderstand me,” she said, triumphantly. “Prince S. and Evgenie Pavlovitch and Alexandra don’t understand anything about these two kinds of mind, but, just fancy, mamma does!”
“Then my mother opened the door and called my dog, Norma. Norma was a great Newfoundland, and died five years ago.

“Yes--those very ones,” interrupted Rogojin, impatiently, and with scant courtesy. I may remark that he had not once taken any notice of the blotchy-faced passenger, and had hitherto addressed all his remarks direct to the prince.

“Aglaya, make a note of ‘Pafnute,’ or we shall forget him. H’m! and where is this signature?”

“Do you know there is a limit of ignominy, beyond which man’s consciousness of shame cannot go, and after which begins satisfaction in shame? Well, of course humility is a great force in that sense, I admit that--though not in the sense in which religion accounts humility to be strength!

“Then you were there yesterday?”

“Yet I remember all he talked about, and every word we said, though whenever my eyes closed for a moment I could picture nothing but the image of Surikoff just in the act of finding a million roubles. He could not make up his mind what to do with the money, and tore his hair over it. He trembled with fear that somebody would rob him, and at last he decided to bury it in the ground. I persuaded him that, instead of putting it all away uselessly underground, he had better melt it down and make a golden coffin out of it for his starved child, and then dig up the little one and put her into the golden coffin. Surikoff accepted this suggestion, I thought, with tears of gratitude, and immediately commenced to carry out my design.

“I think so too, as clear as day; she loves him.”
He was sitting in the Summer Garden on a seat under a tree, and his mind dwelt on the matter. It was about seven o’clock, and the place was empty. The stifling atmosphere foretold a storm, and the prince felt a certain charm in the contemplative mood which possessed him. He found pleasure, too, in gazing at the exterior objects around him. All the time he was trying to forget some thing, to escape from some idea that haunted him; but melancholy thoughts came back, though he would so willingly have escaped from them. He remembered suddenly how he had been talking to the waiter, while he dined, about a recently committed murder which the whole town was discussing, and as he thought of it something strange came over him. He was seized all at once by a violent desire, almost a temptation, against which he strove in vain.
And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.
“Well, wait a bit, before you begin to triumph,” said the nephew viciously; for the words seemed to irritate him. “He is delighted! I came to him here and told him everything: I acted honourably, for I did not excuse myself. I spoke most severely of my conduct, as everyone here can witness. But I must smarten myself up before I take up my new post, for I am really like a tramp. Just look at my boots! I cannot possibly appear like this, and if I am not at the bureau at the time appointed, the job will be given to someone else; and I shall have to try for another. Now I only beg for fifteen roubles, and I give my word that I will never ask him for anything again. I am also ready to promise to repay my debt in three months’ time, and I will keep my word, even if I have to live on bread and water. My salary will amount to seventy-five roubles in three months. The sum I now ask, added to what I have borrowed already, will make a total of about thirty-five roubles, so you see I shall have enough to pay him and confound him! if he wants interest, he shall have that, too! Haven’t I always paid back the money he lent me before? Why should he be so mean now? He grudges my having paid that lieutenant; there can be no other reason! That’s the kind he is--a dog in the manger!” “That is a very difficult and complicated question. I cannot suspect the servant, for she was in the kitchen the whole evening, nor do I suspect any of my children.”
Not finding the prince on his death-bed, Lizabetha Prokofievna had been misled by his appearance to think him much better than he was. But his recent illness, the painful memories attached to it, the fatigue of this evening, the incident with “Pavlicheff’s son,” and now this scene with Hippolyte, had all so worked on his oversensitive nature that he was now almost in a fever. Moreover, a new trouble, almost a fear, showed itself in his eyes; he watched Hippolyte anxiously as if expecting something further.

“Oh, none at all! He has behaved very well indeed. I didn’t mean to drop any sort of hint. His own fortune is intact, I believe. Lizabetha Prokofievna, of course, refuses to listen to anything. That’s the worst of it all, these family catastrophes or quarrels, or whatever you like to call them. You know, prince, you are a friend of the family, so I don’t mind telling you; it now appears that Evgenie Pavlovitch proposed to Aglaya a month ago, and was refused.”

“To judge from your words, you came straight to my house with the intention of staying there.”

Arrived at the gate, the prince looked up at the legend over it, which ran:

“Well, meanwhile that sick boy was brought here, and those guests came in, and we had tea, and--well, we made merry--to my ruin! Hearing of your birthday afterwards, and excited with the circumstances of the evening, I ran upstairs and changed my plain clothes once more for my uniform [Civil Service clerks in Russia wear uniform.]--you must have noticed I had my uniform on all the evening? Well, I forgot the money in the pocket of my old coat--you know when God will ruin a man he first of all bereaves him of his senses--and it was only this morning at half-past seven that I woke up and grabbed at my coat pocket, first thing. The pocket was empty--the purse gone, and not a trace to be found!”
In early summer there are often magnificent days in St. Petersburg--bright, hot and still. This happened to be such a day.

In a word, Ferdishenko was very angry and rapidly forgetting himself; his whole face was drawn with passion. Strange as it may appear, he had expected much better success for his story. These little errors of taste on Ferdishenko’s part occurred very frequently. Nastasia trembled with rage, and looked fixedly at him, whereupon he relapsed into alarmed silence. He realized that he had gone a little too far.

“It was Gogol, in Dead Souls, father,” cried Colia, glancing at him in some alarm.

“But perhaps we shall not be poor; we may be very rich, Nastasia Philipovna,” continued the prince, in the same timid, quivering tones. “I don’t know for certain, and I’m sorry to say I haven’t had an opportunity of finding out all day; but I received a letter from Moscow, while I was in Switzerland, from a Mr. Salaskin, and he acquaints me with the fact that I am entitled to a very large inheritance. This letter--”

“Confess that you are pleased to have read it.”

“I am only repeating your own exclamation!” said Colia. “A month ago you were turning over the pages of your Don Quixote, and suddenly called out ‘there is nothing better than the poor knight.’ I don’t know whom you were referring to, of course, whether to Don Quixote, or Evgenie Pavlovitch, or someone else, but you certainly said these words, and afterwards there was a long conversation...”

“Delighted, I’m sure,” said Aglaya; “I am acquainted with Varvara Ardalionovna and Nina Alexandrovna.” She was trying hard to restrain herself from laughing. However, let us take one more example. Thus, we know for a fact that during the whole of this fortnight the prince spent all his days and evenings with Nastasia; he walked with her, drove with her; he began to be restless whenever he passed an hour without seeing her--in fact, to all appearances, he sincerely loved her. He would listen to her for hours at a time with a quiet smile on his face, scarcely saying a word himself. And yet we know, equally certainly, that during this period he several times set off, suddenly, to the Epanchins’, not concealing the fact from Nastasia Philipovna, and driving the latter to absolute despair. We know also that he was not received at the Epanchins’ so long as they remained at Pavlofsk, and that he was not allowed an interview with Aglaya;--but next day he would set off once more on the same errand, apparently quite oblivious of the fact of yesterday’s visit having been a failure,--and, of course, meeting with another refusal. We know, too, that exactly an hour after Aglaya had fled from Nastasia Philipovna’s house on that fateful evening, the prince was at the Epanchins’,--and that his appearance there had been the cause of the greatest consternation and dismay; for Aglaya had not been home, and the family only discovered then, for the first time, that the two of them had been to Nastasia’s house together. Colia stopped a moment as though he wished to say something; but Lebedeff dragged him away.
“Why, he knows everything--Lebedeff knows everything! I was a month or two with Lihachof after his father died, your excellency, and while he was knocking about--he’s in the debtor’s prison now--I was with him, and he couldn’t do a thing without Lebedeff; and I got to know Nastasia Philipovna and several people at that time.”
“Nastasia Philipovna,” he began, and there paused; he was clearly much agitated and annoyed. The prince reminded him of the portrait.
“It’s loaded all right,” said Keller, examining the pistol, “but--”
“I don’t quite know. Your house has the aspect of yourself and all your family; it bears the stamp of the Rogojin life; but ask me why I think so, and I can tell you nothing. It is nonsense, of course. I am nervous about this kind of thing troubling me so much. I had never before imagined what sort of a house you would live in, and yet no sooner did I set eyes on this one than I said to myself that it must be yours.”
Two more of Nastasia’s guests, who walked a short distance together, indulged in high moral sentiments of a similar nature.

V.

These warnings about Rogojin were expressed on the day before the wedding. That evening the prince saw Nastasia Philipovna for the last time before they were to meet at the altar; but Nastasia was not in a position to give him any comfort or consolation. On the contrary, she only added to his mental perturbation as the evening went on. Up to this time she had invariably done her best to cheer him--she was afraid of his looking melancholy; she would try singing to him, and telling him every sort of funny story or reminiscence that she could recall. The prince nearly always pretended to be amused, whether he were so actually or no; but often enough he laughed sincerely, delighted by the brilliancy of her wit when she was carried away by her narrative, as she very often was. Nastasia would be wild with joy to see the impression she had made, and to hear his laugh of real amusement; and she would remain the whole evening in a state of pride and happiness. But this evening her melancholy and thoughtfulness grew with every hour.
“But you seem to be on the best of terms with him?”

“Shall you go abroad again then?” he asked, and suddenly added, “Do you remember how we came up in the train from Pskoff together? You and your cloak and leggings, eh?”

Colia was a nice-looking boy. His expression was simple and confiding, and his manners were very polite and engaging.

“No, they cut off people’s heads in France.”

Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time.

“Yes, I do! I have only been one day in Russia, but I have heard of the great beauty!” And the prince proceeded to narrate his meeting with Rogojin in the train and the whole of the latter’s story.
“And what about the maid?” asked Nastasia Philipovna, with undisguised contempt.
The prince thought, too, that he looked vexed and annoyed, and not nearly so friendly towards himself as he had been earlier in the night.

“As soon as I finished writing in her album for her, and when she asked me to come out of the room with her (you heard?), we went into the dining-room, and she gave me your letter to read, and then told me to return it.”

His first word was to inquire after Evgenie Pavlovitch. But Lizabetha stalked past him, and neither looked at him nor answered his question.
“Oh! so he kept his word--there’s a man for you! Well, sit down, please--take that chair. I shall have something to say to you presently. Who are all these with you? The same party? Let them come in and sit down. There’s room on that sofa, there are some chairs and there’s another sofa! Well, why don’t they sit down?”
“I didn’t come here for that purpose, Parfen. That was not in my mind--”
“I have met you somewhere, I believe, but--”
“How do you know he is not the question now?” cried Hippolyte, laughing hysterically.
“I don’t want any dinner, thanks, Colia. I had too good a lunch at General Epanchin’s.”
This time they neither opened the door at Rogojin’s flat nor at the one opposite. The prince found the porter with difficulty, but when found, the man would hardly look at him or answer his questions, pretending to be busy. Eventually, however, he was persuaded to reply so far as to state that Rogojin had left the house early in the morning and gone to Pavlofsk, and that he would not return today at all.
So saying, Rogojin crossed the road.
Though Rogojin had declared that he left Pskoff secretly, a large collection of friends had assembled to greet him, and did so with profuse waving of hats and shouting.
Here Evgenie Pavlovitch quite let himself go, and gave the reins to his indignation.

“Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.”

“No humbug at all.”
“Oh yes, of course. You are very beautiful, Aglaya Ivanovna, so beautiful that one is afraid to look at you.”
And so they took their departure; but in this hasty and kindly designed visit there was hidden a fund of cruelty which Lizabetha Prokofievna never dreamed of. In the words “as usual,” and again in her added, “mine, at all events,” there seemed an ominous knell of some evil to come.
“You have no sort of right to suppose such things,” said Lebedeff’s nephew in a tone of authority.
This next arrival was a tall red-faced man of about fifty-five, with greyish hair and whiskers, and large eyes which stood out of their sockets. His appearance would have been distinguished had it not been that he gave the idea of being rather dirty. He was dressed in an old coat, and he smelled of vodka when he came near. His walk was effective, and he clearly did his best to appear dignified, and to impress people by his manner.
The prince gazed at it for a minute or two, then glanced around him, and hurriedly raised the portrait to his lips. When, a minute after, he reached the drawing-room door, his face was quite composed. But just as he reached the door he met Aglaya coming out alone. Gania hurled Ferdishenko from him; then he turned sharp round and made for the door. But he had not gone a couple of steps when he tottered and fell to the ground.
“Of course, of course! And about your fits?”
“Come to Aglaya--quick, quick!”

“Oh! no, no!” said Lebedeff, hurriedly.

“Yesterday morning,” he replied, “we had an interview which we all gave our word of honour to keep secret.”

So saying she gazed into his eyes, longing to see whether she could make any guess as to the explanation of his motive in coming to her house. The prince would very likely have made some reply to her kind words, but he was so dazzled by her appearance that he could not speak.

“I am aware that you sent your son to that house--he told me so himself just now, but what is this intrigue?” said the prince, impatiently.
“Hippolyte, stop, please! It’s so dreadfully undignified,” said Varia.
Here is the article.

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“What Moloftsoff?”
“I hear,” said the prince in a whisper, his eyes fixed on Rogojin.
“Yes, he told me,” said the prince, feeling only half alive. “Oh, I only judge by what I see. Varvara Ardalionovna said just now--”

“Well, I don’t mind telling you the truth--you only! Because you see through a man somehow. Words and actions, truth and falsehood, are all jumbled up together in me, and yet I am perfectly sincere. I feel the deepest repentance, believe it or not, as you choose; but words and lies come out in the infernal craving to get the better of other people. It is always there--the notion of cheating people, and of using my repentant tears to my own advantage! I assure you this is the truth, prince! I would not tell any other man for the world! He would laugh and jeer at me--but you, you judge a man humanely.”

“Well? Go on.”

At last, about half-past ten, the prince was left alone. His head ached. Colia was the last to go, after having helped him to change his wedding clothes. They parted on affectionate terms, and, without speaking of what had happened, Colia promised to come very early the next day. He said later that the prince had given no hint of his intentions when they said good-bye, but had hidden them even from him. Soon there was hardly anyone left in the house. Burdovsky had gone to see Hippolyte; Keller and Lebedeff had wandered off together somewhere.

Lizabetha Prokofievna well understood that the old lady was angry at the failure of Evgenie Pavlovitch--her own recommendation. She returned home to Pavlofsk in a worse humour than when she left, and of course everybody in the house suffered. She pitched into everyone, because, she declared, they had ‘gone mad.’ Why were things always mismanaged in her house? Why had everybody been in such a frantic hurry in this matter? So far as she could see, nothing whatever had happened. Surely they had better wait and see what was to happen, instead of making mountains out of molehills.