“Let’s all go to my boudoir,” she said, “and they shall bring some coffee in there. That’s the room where we all assemble and busy ourselves as we like best,” she explained. “Alexandra, my eldest, here, plays the piano, or reads or sews; Adelaida paints landscapes and portraits (but never finishes any); and Aglaya sits and does nothing. I don’t work too much, either. Here we are, now; sit down, prince, near the fire and talk to us. I want to hear you relate something. I wish to make sure of you first and then tell my old friend, Princess Bielokonski, about you. I wish you to know all the good people and to interest them. Now then, begin!”
| “And what shall I tell him by way of answer?” |
“I have come to you--now--to--”
| “Yes, violent. I can give you a proof of it. A few days ago she tried to pull my hair because I said something that annoyed her. I tried to soothe her by reading the Apocalypse aloud.” |
“I do not despise toil; I despise you when you speak of toil.”
“Sacrilege, certainly--certainly sacrilege,” said the latter.
It was about eleven o’clock in the forenoon when the prince rang the bell at General Epanchin’s door. The general lived on the first floor or flat of the house, as modest a lodging as his position permitted. A liveried servant opened the door, and the prince was obliged to enter into long explanations with this gentleman, who, from the first glance, looked at him and his bundle with grave suspicion. At last, however, on the repeated positive assurance that he really was Prince Muishkin, and must absolutely see the general on business, the bewildered domestic showed him into a little ante-chamber leading to a waiting-room that adjoined the general’s study, there handing him over to another servant, whose duty it was to be in this ante-chamber all the morning, and announce visitors to the general. This second individual wore a dress coat, and was some forty years of age; he was the general’s special study servant, and well aware of his own importance.
“So that is true, is it?” cried the prince, greatly agitated. “I had heard a report of it, but would not believe it.”
“He’s got some new idea in his head,” thought Varia. “Are they pleased over there--the parents?” asked Gania, suddenly.
“How do you make out that the Roman Catholic religion is _unchristian?_ What is it, then?” asked Ivan Petrovitch, turning to the prince.
“Yesterday morning,” he replied, “we had an interview which we all gave our word of honour to keep secret.”
“And are you assured, at the same time, that you love Aglaya too?”
“As soon as I had finished reading it, she told me that you were fishing for her; that you wished to compromise her so far as to receive some hopes from her, trusting to which hopes you might break with the prospect of receiving a hundred thousand roubles. She said that if you had done this without bargaining with her, if you had broken with the money prospects without trying to force a guarantee out of her first, she might have been your friend. That’s all, I think. Oh no, when I asked her what I was to say, as I took the letter, she replied that ‘no answer is the best answer.’ I think that was it. Forgive me if I do not use her exact expressions. I tell you the sense as I understood it myself.”
| “I meant to say--I only meant to say,” said the prince, faltering, “I merely meant to explain to Aglaya Ivanovna--to have the honour to explain, as it were--that I had no intention--never had--to ask the honour of her hand. I assure you I am not guilty, Aglaya Ivanovna, I am not, indeed. I never did wish to--I never thought of it at all--and never shall--you’ll see it yourself--you may be quite assured of it. Some wicked person has been maligning me to you; but it’s all right. Don’t worry about it.” |
“SIR,
“I long sought to meet Marie alone; and at last I did meet her, on the hillside beyond the village. I gave her the eight francs and asked her to take care of the money because I could get no more; and then I kissed her and said that she was not to suppose I kissed her with any evil motives or because I was in love with her, for that I did so solely out of pity for her, and because from the first I had not accounted her as guilty so much as unfortunate. I longed to console and encourage her somehow, and to assure her that she was not the low, base thing which she and others strove to make out; but I don’t think she understood me. She stood before me, dreadfully ashamed of herself, and with downcast eyes; and when I had finished she kissed my hand. I would have kissed hers, but she drew it away. Just at this moment the whole troop of children saw us. (I found out afterwards that they had long kept a watch upon me.) They all began whistling and clapping their hands, and laughing at us. Marie ran away at once; and when I tried to talk to them, they threw stones at me. All the village heard of it the same day, and Marie’s position became worse than ever. The children would not let her pass now in the streets, but annoyed her and threw dirt at her more than before. They used to run after her--she racing away with her poor feeble lungs panting and gasping, and they pelting her and shouting abuse at her.
“Look to the right!”
| “Well, he shouldn’t steal,” cried Gania, panting with fury. And just at this moment his eye met Hippolyte’s. |
| “Old story? No! Heaven knows what’s up now--I don’t! Father has simply gone mad; mother’s in floods of tears. Upon my word, Varia, I must kick him out of the house; or else go myself,” he added, probably remembering that he could not well turn people out of a house which was not his own. |
“You know I am a bit of a poet,” said he. “Have you noticed it? The poetic soul, you know.” Then he added suddenly--“But after all... after all I believe we made a mistake this time! I remember that the Sokolovitch’s live in another house, and what is more, they are just now in Moscow. Yes, I certainly was at fault. However, it is of no consequence.”
As for his own impression on entering the room and taking his seat, he instantly remarked that the company was not in the least such as Aglaya’s words had led him to fear, and as he had dreamed of--in nightmare form--all night.
“The old story, eh?”
Mrs. Epanchin was in the habit of holding herself very straight, and staring before her, without speaking, in moments of excitement.
“Do you wish me to beg pardon of this creature because she has come here to insult our mother and disgrace the whole household, you low, base wretch?” cried Varia, looking back at her brother with proud defiance.
| Twice during the day a messenger came to Nina Alexandrovna from the Epanchins to inquire after the invalid. |
“It is accursed, certainly accursed!” replied the clerk, vehemently.
“How dare you speak so to me?” she said, with a haughtiness which was quite indescribable, replying to Nastasia’s last remark.
“Once more let us beg you to be calm, my dear boy. We’ll talk of all this another time--I shall do so with the greatest pleasure, for one,” said the old dignitary, with a smile.
And as to her face, could it inspire nothing but passion? Could her face inspire passion at all now? Oh, it inspired suffering, grief, overwhelming grief of the soul! A poignant, agonizing memory swept over the prince’s heart.
He took up the portrait, and went out of the room.
| “How--what do you mean you didn’t allow?” |
“I have heard many things of the kind about you...they delighted me... I have learned to hold you in the highest esteem,” continued Hippolyte.
Mrs. Epanchin had approached Hippolyte and seized him firmly by the arm, while her eyes, blazing with fury, were fixed upon his face.
The prince took a cab and drove to a street near the Nativity, where he soon discovered the house he was seeking. It was a small wooden villa, and he was struck by its attractive and clean appearance; it stood in a pleasant little garden, full of flowers. The windows looking on the street were open, and the sound of a voice, reading aloud or making a speech, came through them. It rose at times to a shout, and was interrupted occasionally by bursts of laughter.
| “Suppose we all go away?” said Ferdishenko suddenly. |
| When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month. |