Aglaya had made for the door in terror, but she stopped at the threshold, and listened. “Shall I turn Rogojin off? Ha! ha! you thought I would marry him for your benefit, did you? Why, I’ll call out _now_, if you like, in your presence, ‘Rogojin, get out!’ and say to the prince, ‘Do you remember what you promised me?’ Heavens! what a fool I have been to humiliate myself before them! Why, prince, you yourself gave me your word that you would marry me whatever happened, and would never abandon me. You said you loved me and would forgive me all, and--and resp--yes, you even said that! I only ran away from you in order to set you free, and now I don’t care to let you go again. Why does she treat me so--so shamefully? I am not a loose woman--ask Rogojin there! He’ll tell you. Will you go again now that she has insulted me, before your eyes, too; turn away from me and lead her away, arm-in-arm? May you be accursed too, for you were the only one I trusted among them all! Go away, Rogojin, I don’t want you,” she continued, blind with fury, and forcing the words out with dry lips and distorted features, evidently not believing a single word of her own tirade, but, at the same time, doing her utmost to prolong the moment of self-deception.

Of course, the last argument was the chief one. The maternal heart trembled with indignation to think of such an absurdity, although in that heart there rose another voice, which said: “And _why_ is not the prince such a husband as you would have desired for Aglaya?” It was this voice which annoyed Lizabetha Prokofievna more than anything else.

“Well, whether you go on business or not is your affair, I do not want to know. The only important thing, in my eyes, is that you should not be going there simply for the pleasure of spending your evening in such company--cocottes, generals, usurers! If that were the case I should despise and laugh at you. There are terribly few honest people here, and hardly any whom one can respect, although people put on airs--Varia especially! Have you noticed, prince, how many adventurers there are nowadays? Especially here, in our dear Russia. How it has happened I never can understand. There used to be a certain amount of solidity in all things, but now what happens? Everything is exposed to the public gaze, veils are thrown back, every wound is probed by careless fingers. We are for ever present at an orgy of scandalous revelations. Parents blush when they remember their old-fashioned morality. At Moscow lately a father was heard urging his son to stop at nothing--at nothing, mind you!--to get money! The press seized upon the story, of course, and now it is public property. Look at my father, the general! See what he is, and yet, I assure you, he is an honest man! Only... he drinks too much, and his morals are not all we could desire. Yes, that’s true! I pity him, to tell the truth, but I dare not say so, because everybody would laugh at me--but I do pity him! And who are the really clever men, after all? Money-grubbers, every one of them, from the first to the last. Hippolyte finds excuses for money-lending, and says it is a necessity. He talks about the economic movement, and the ebb and flow of capital; the devil knows what he means. It makes me angry to hear him talk so, but he is soured by his troubles. Just imagine--the general keeps his mother--but she lends him money! She lends it for a week or ten days at very high interest! Isn’t it disgusting? And then, you would hardly believe it, but my mother--Nina Alexandrovna--helps Hippolyte in all sorts of ways, sends him money and clothes. She even goes as far as helping the children, through Hippolyte, because their mother cares nothing about them, and Varia does the same.”

“All right, my friend, talk away, talk away!” she remarked. “Only don’t lose your breath; you were in such a hurry when you began, and look what you’ve come to now! Don’t be afraid of speaking--all these ladies and gentlemen have seen far stranger people than yourself; you don’t astonish _them_. You are nothing out-of-the-way remarkable, you know. You’ve done nothing but break a vase, and give us all a fright.”

Lebedeff had roused great indignation in some of his auditors (it should be remarked that the bottles were constantly uncorked during his speech); but this unexpected conclusion calmed even the most turbulent spirits. “That’s how a clever barrister makes a good point!” said he, when speaking of his peroration later on. The visitors began to laugh and chatter once again; the committee left their seats, and stretched their legs on the terrace. Keller alone was still disgusted with Lebedeff and his speech; he turned from one to another, saying in a loud voice:

“Mother,” said Rogojin, kissing her hand, “here is my great friend, Prince Muishkin; we have exchanged crosses; he was like a real brother to me at Moscow at one time, and did a great deal for me. Bless him, mother, as you would bless your own son. Wait a moment, let me arrange your hands for you.”

“I have lost four hundred roubles out of my side pocket! They’re gone!” said Lebedeff, with a sour smile.

“Then it was _you_ who came--_you_--_you?_”

“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”

“Affectation!” remarked someone else.

“He jumped up, too.

Lebedeff immediately procured the services of an old doctor, and carried the latter away to Pavlofsk to see the prince, by way of viewing the ground, as it were, and to give him (Lebedeff) counsel as to whether the thing was to be done or not. The visit was not to be official, but merely friendly.

She appeared to be in the last stages of wrath and irritation; her eyes flashed. The prince stood dumbly and blindly before her, and suddenly grew pale.

“But I don’t know _how_ to see!”